Social construction & Deconstruction – The Visuals of Chiriththiran Sundar’s Cartoon
The Art Circle of the Department of Fine Arts, University of Jaffna, presented the exhibition Social Construction & Destruction: The Visuals of Sirithiran Sundar’s Cartoonsat the Department’s Art Gallery. This exhibition showcased a collection of thought-provoking caricatures by artist Sivaganasundaram, popularly known as Sirithiran Sundar, addressing critical themes in politics, society, and the economy. Originally developed as part of their final examination in Curatorial Practice, the exhibition was curated by Panjalingam Lajeepanand Srikirubakaran Disani, both alumni of the Department of Fine Arts. After its academic presentation, the exhibition was re-installed for public viewing to engage a broader audience in its visual commentary on contemporary issues.
8 May 2025 – 16 May 2025
A Visual Journey of Migration and Memory
Anushiya Sundaralingam’s work in the exhibition explores the act of fleeing—escaping conflict, leaving roots behind, and moving across land and sea in search of safety. Through images of footprints and broken boats, she reflects on the journey of those in transit, carrying the weight of memory and loss. These fragile yet enduring imprints symbolize both departure and survival, marking lives uprooted by war and displacement.
Travel and transit are central themes, capturing the tension between movement and the longing for stability. Footprints—bare and vulnerable—map the paths of those who have fled, while fragmented boats mirror precarious crossings in search of refuge. Land and sea, both barriers and passageways, hold the histories of those who risked everything to escape.
As a Tamil artist shaped by the Sri Lankan civil war and diaspora, her works weave personal memory with collective narratives of migration. By visually reconstructing these journeys, she evokes the resilience, pain, and hope embedded in leaving and the endless search for home.
4 March 2025 – 12 March 2025
SELFSCAPE
The Self Scape, an exhibition of new media art by Rinoshan Susiman, provides spectators with an example of the new possibilities of art-making by exploring the potential of visual representation and new technology.
1 October 2024 – 6 October 2024
Days of Turbulence: Exhibition of War Paintings by A. Mark
Curated by Renuga, Radiha, Lajeepan, Dishani, Nivashini, and Piriyatharshini Conceptualized and guided by Professor T. Sanathanan
Selected wartime paintings and drawings by Artist A. Mark, a dynamic pioneer of modern artistic practices and thoughs among the Tamils, particularly in Northern Sri Lanka, are on display in this exhibition.It is witnessing war against the minorities in the holistic sense. The junk and recycled materials are representing the possibilities of new ways of expression as well as the form of resistance.
Along with this display, the organizers arrange the out-reaching activities centred around the visual art exhibition, which connected and represented the period when Mark worked and touched his artistic mannerism and working style.
10 September 2024 – 20 September 2024
As part of the Days of Turbulenceexhibition, a series of outreach activities were conducted to engage audiences more deeply with the life, work, and legacy of artist A. Mark.
One such event was titled Sambal Pootha Terukalil Irunthu, a poetry reading session organized by the students of the Department of Tamil, University of Jaffna. The session focused on war poetry from the 1980s and 1990s, exploring the emotional, political, and cultural dimensions of conflict through Tamil literary expression. These readings resonated strongly with the visual themes of violence, loss, and resistance found in A. Mark’s artworks, drawing a powerful connection between visual and literary representations of war.
Another major outreach event was a discussion titled Mark Master: Kālamum Kālaiyum (A. Mark – Art and His Era), which explored the artist’s contributions within the broader socio-political and historical context of his time. The discussion featured writer A. Jesurasa; artist and former student of A. Mark, Dr. C. Constantine; and retired art lecturer and also a student of A. Mark, Babsi Mariyathsan. Together, they reflected on Mark’s artistic journey, his experimental approaches, his role as a teacher and mentor, and his enduring influence on Tamil art and pedagogy in Northern Sri Lanka.
These outreach activities enriched the exhibition by offering diverse perspectives on A. Mark’s work, fostering critical reflection, and connecting his artistic legacy with present-day conversations about war, memory, and artistic resistance.
Vanamohini: Actress Thavamanidevi: Ceylon to Madras
This exhibition celebrates 100 years of memories of actress Thavamani Devi, who was born in Inuvil in an elite family background and she brought up at Kandy and Colombo. In 1937, she entered the Tamil cinema industry in Colonial Madras as a first glamour actress in the Tamil film industry. The exhibition interrogates her life and cinema through the visual codes that are still alive in the cinema world.
This exhibition was held in parallel with the 10th Jaffna International Cinema Festival. Along with a video projection of her film clips, songs, and documentaries on her, the principle exhibits in this show are her portraits, family photos, film stills, and film advertisements. The exhibition was opened by the writer and filmmaker Kutti Revathi from Tamil Nadu. Many film makers, art and film enthusiasts, and students of different streams in faculty arts watched the exhibits.
04 September 2024 – 08 September 2024
Home/ Land
Six artists from Jaffna explore memories of home and the experience of loss in the aftermath of the armed struggle in Sri Lanka