{"id":477,"date":"2022-06-26T16:23:58","date_gmt":"2022-06-26T16:23:58","guid":{"rendered":"https:\/\/www.far.jfn.ac.lk\/?page_id=477"},"modified":"2026-03-06T07:11:18","modified_gmt":"2026-03-06T07:11:18","slug":"sana-sir-info","status":"publish","type":"page","link":"https:\/\/www.far.jfn.ac.lk\/index.php\/sana-sir-info\/","title":{"rendered":"Dr. T. Sanathanan"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"477\" class=\"elementor elementor-477\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-23a4f8f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"23a4f8f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-23ecc0c\" data-id=\"23ecc0c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3345d6d elementor-position-top elementor-widget elementor-widget-image-box\" data-id=\"3345d6d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><figure class=\"elementor-image-box-img\"><img fetchpriority=\"high\" decoding=\"async\" width=\"400\" height=\"523\" src=\"https:\/\/www.far.jfn.ac.lk\/wp-content\/uploads\/2022\/08\/WhatsApp-Image-2022-08-19-at-22.45.45-e1660929778945.jpeg\" class=\"attachment-full size-full wp-image-1618 museo-first-image skip-lazy\" alt=\"\" loading=\"eager\" srcset=\"https:\/\/www.far.jfn.ac.lk\/wp-content\/uploads\/2022\/08\/WhatsApp-Image-2022-08-19-at-22.45.45-e1660929778945.jpeg 400w, https:\/\/www.far.jfn.ac.lk\/wp-content\/uploads\/2022\/08\/WhatsApp-Image-2022-08-19-at-22.45.45-e1660929778945-229x300.jpeg 229w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure><div class=\"elementor-image-box-content\"><p class=\"elementor-image-box-description\">\n\n<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-a5ffad4\" data-id=\"a5ffad4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-edbc9a2 elementor-widget elementor-widget-image-box\" data-id=\"edbc9a2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image-box.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-box-wrapper\"><div class=\"elementor-image-box-content\"><h4 class=\"elementor-image-box-title\">Dr. T. Sanathanan<\/h4><p class=\"elementor-image-box-description\"><p style=\"white-space: normal\"><span style=\"white-space: pre-wrap\"><strong>Research Interest:<\/strong> <\/span><br style=\"white-space: pre-wrap\"><span style=\"white-space: pre-wrap\">Modern &amp; Contemporary Art of Sri Lanka, Modernism, Colonial Art, Craft practices, Art of Memory, Popular Visual Culture \n\n\nEmail:<\/strong><span style=\"white-space: normal;font-size: 1rem\">&nbsp;<\/span>tsanathanan@univ.jfn.ac.lk<br><\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-311801e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"311801e\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3433518\" data-id=\"3433518\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f894c42 elementor-widget__width-inherit e-transform elementor-tabs-view-vertical elementor-widget elementor-widget-tabs\" data-id=\"f894c42\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;,&quot;_transform_scale_effect&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:1,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_widescreen&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_laptop&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;_transform_scale_effect_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2601\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-2601\" aria-expanded=\"false\">Academic profile<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2602\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2602\" aria-expanded=\"false\">Administrative positions<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2603\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2603\" aria-expanded=\"false\">Fellowships, Awards and Prizes<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2604\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2604\" aria-expanded=\"false\">Research and Publications <\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2605\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"5\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2605\" aria-expanded=\"false\">Writer of Chapters<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2606\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"6\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2606\" aria-expanded=\"false\">Author \/ Editor of Books <\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2607\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"7\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2607\" aria-expanded=\"false\">Contributions to University<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2608\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"8\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2608\" aria-expanded=\"false\">National Services<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2609\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"9\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2609\" aria-expanded=\"false\">Supervision and Evaluation \u2013 Post Graduate Degree and Research<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-26010\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"10\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26010\" aria-expanded=\"false\">Services to other Universities<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-26011\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"11\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26011\" aria-expanded=\"false\">Inter-Department and Inter-Faculty Services<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-26012\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"12\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26012\" aria-expanded=\"false\">Public Dissemination<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-26013\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"13\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26013\" aria-expanded=\"false\">Resource Person \/ Mentor \/ Consultant<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-26014\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"14\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26014\" aria-expanded=\"false\">Innovation and Creation<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-2601\" aria-expanded=\"false\">Academic profile<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2601\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2601\" tabindex=\"0\" hidden=\"false\"><h5><span style=\"color: #000080;\"><strong>Educational Qualification<\/strong><\/span><\/h5><ul><li><strong>2011:<\/strong>\u00a0PhD in Jawaharlal Nehru University, New Delhi.<\/li><li style=\"text-align: left;\"><strong>2000:<\/strong>\u00a0MFA in Painting, University of Delhi.<\/li><li style=\"text-align: left;\"><strong>1997:<\/strong>\u00a0BFA in Painting, University of Delhi.<\/li><li style=\"text-align: left;\">\u00a0<\/li><\/ul><h5 style=\"font-weight: 400;\"><span style=\"color: #000080;\"><strong>Work experience<\/strong><\/span><\/h5><p><strong>Professor of Art History<\/strong>, Department of Fine Arts, University of Jaffna (2022- current).<\/p><p><strong>Senior Lecturer Gr I<\/strong>, Department of Fine Arts, University of Jaffna (2011-2022).<\/p><p style=\"font-weight: 400;\"><strong>Senior Lecturer Gr II, <\/strong>Department of Fine Arts, University of Jaffna (2005-2011).<\/p><p style=\"font-weight: 400;\"><strong>Probationary Lecturer, <\/strong>Department of Fine Arts, University of Jaffna (2000-2005).<\/p><p style=\"font-weight: 400;\"><strong>Temporary Assistant Lecturer<\/strong>, Department of Fine Arts, University of Jaffna (1997-1998).<\/p><p style=\"font-weight: 400;\">\u00a0<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2602\" aria-expanded=\"false\">Administrative positions<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2602\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2602\" tabindex=\"0\" hidden=\"hidden\"><h5><strong><span style=\"color: #000080;\">Positions held\u00a0<\/span><\/strong><strong><span style=\"color: #000080;\">\u00a0 \u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/h5><ul><li>Head, Department of Fine Arts, University of Jaffna, Sri Lanka (01\/09\/2017 -01\/09\/2020).<\/li><li>Coordinator, Art and Design Unit (01\/10\/2010- 30\/ 9\/2013).<\/li><li>Editor- in- Chief, JUICE 2016.<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Convener local\/International Conferences on Art History<\/strong><\/span><\/h5><ul><li><p>Co-convenor, Pop Art and South Asia Conference (2025).<\/p><\/li><li><p>Co-convenor, Rethinking Heritage: Conflict, Reconciliation and Agency (2025).<\/p><\/li><li><p>Co-convenor, Tamil Christian Art Worlds (2024).<\/p><p>Convener, One Hundred Years of Humanities and Social Sciences Education \u2013 Trajectories, Continuities and Discontinuities, <em>Maanudam<\/em> Research Conference, Faculty of Arts, University of Jaffna (29-30 July 2022).<\/p><\/li><li>Co-convenor, Trans\/Formation: Craft, Practice &amp; discourse, Department of Fine Arts, University of Jaffna, American institute for Sri Lankan Studies, Colombo, Lanka Decorative Arts, Colombo, Sri Lankan Archive for contemporary Art, Architecture and Design (10-12 May 2018).<\/li><li>Co-convenor, Female Deities &amp; Devotion in Sri Lanka: Ritual, Representation &amp; Resilience Department\u00a0 of Fine Arts, University of Jaffna with the support of Centre for Poverty Analysis, Colombo (24-26 April 2014).<\/li><li>Convener, Rethinking Sri Lankan Art: Objects, Methods and Politics (International conference), Departmentof Fine Arts, University of Jaffna (4-5 March 2011).<\/li><li>Convener, Contextualizing Jaffna Architecture: styles and Aspects, Departmentof Fine Arts, University of Jaffna (28-29 March 2001).<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\">Editorial Board Member of Journals<\/span><\/h5><ul><li>Editorial Board Member, <em>Kalai Varalaru<\/em>, Department of Fine Arts (2000-2025).<\/li><li>Editorial Board Member, <em>The Sri Lankan Journal of South Asian Studies, <\/em>Faculty of Arts, University of Jaffna (13\/01\/2016-25\/01\/2018).<\/li><li>Editorial Board Member, <em>Art Lab,<\/em> <em>Theertha<\/em> Artists Collective, Colombo (2005-2011).<\/li><li>Editor, <em>Pannual: Socio Cultural Inquiry, <\/em>Colombo Institute (2003-2009).<\/li><li>Editorial Board Member, <em>South Asian Journal for Culture, <\/em>Colombo Institute (2007 &#8211; 2009).<\/li><li>Editorial Board Member, <em>Chinthanai<\/em>, Faculty of Arts, University of Jaffna (2003-2006).<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2603\" aria-expanded=\"false\">Fellowships, Awards and Prizes<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2603\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2603\" tabindex=\"0\" hidden=\"hidden\"><h5><span style=\"color: #000080;\"><strong>Awards<\/strong><\/span><\/h5><ul><li><em>Bhunka Award<\/em>, Presented by the Japan Sri Lanka Friendship Cultural Fund for the special achievement in Paining (1<sup>st<\/sup> November 2014).<\/li><li><em>Kalasuri Award<\/em>: Government of Sri Lanka-to the contribution in the field of art, 2005 November.<\/li><\/ul><p>.<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"4\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2604\" aria-expanded=\"false\">Research and Publications <\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2604\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"4\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2604\" tabindex=\"0\" hidden=\"hidden\"><h5><span style=\"color: #000080;\"><strong>Peer Reviewed Publications <\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\"><p>Julff, G., Sanathanan,T., \u00a0Young. R; et al. 2025, \u2018Localizing Heritage: Archaeology of the recent past in post war Jaffna, Sri Lanka\u2019, International Journal for Historical Archaeology.<\/p><p>Hasini Haputhanthri; Gill Juleff; T. Sanathanan. 2023 \u2018Heritage and Decoloniality: Reflections from Sri Lanka\u2014A Conversation\u2019. \u201d American Anthropologist 1\u20136. https:\/\/doi.org\/10.1111\/aman.13949.<\/p><p>Sanathanan, T., 2017, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/4674\/2\/Visual%20possession%20landscape%20painting%20in%20British%20Ceylon.pdf\">\u2018Visual possession: landscape painting in British Ceylon\u2019<\/a>, <em>The Sri Lankan Journal of South Asian Studies<\/em>, Vol.03, No. 02, pp.91-108.<\/p><\/li><li style=\"font-weight: 400;\">\u00a0Shanaathanan, T., 2015, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/handle\/123456789\/4672\">\u2018Commemorating home: art as place making, an artist\u2019s narration\u2019<\/a>, <em>Journal of Material Culture<\/em>,Vol.20, No.4, pp.415-428.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2015, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/4673\/2\/Being%20a%20stranger%20and%20a%20suspect%20being%20Sri%20Lankan%20Tamil.pdf\">\u2018Being a stranger and a suspect: being Sri Lankan Tamil\u2019<\/a>, <em>The Sri Lankan Journal of South Asian Studies,<\/em> Vol. 01, No. 01, pp.103-116.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2008, <a href=\"https:\/\/noolaham.net\/project\/735\/73489\/73489.pdf\">&#8216;\u0baa\u0bbf\u0bb1\u0bb0\u0bc8 \u0b89\u0bb1\u0bcd\u0bb1\u0bc1\u0baa\u0bcd\u0baa\u0bbe\u0ba4\u0bcd\u0ba4\u0bb2\u0bcd: \u0bb2\u0baf\u0ba9\u0bb2\u0bcd \u0bb5\u0bc6\u0ba9\u0bcd\u0bb1\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b9f\u0bc7\u0bb5\u0bbf\u0b9f\u0bcd \u0baa\u0bc6\u0baf\u0bbf\u0ba9\u0bcd\u0b9f\u0bb0\u0bbf\u0ba9\u0bcd \u0baa\u0b9f\u0bc8\u0baa\u0bcd\u0baa\u0bc1\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0b86\u0ba3\u0bcd \u0ba4\u0bc7\u0b95\u0bae\u0bcd&#8217;,<\/a> (\u2018Gazing the other: Male Body in the Art of Lionel Wendt and David Paynter\u2019).\u00a0<em>\u0baa\u0ba9\u0bc1\u0bb5\u0bb2\u0bcd: \u0b9a\u0bae\u0bc2\u0b95 \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1 \u0bb5\u0bbf\u0b9a\u0bbe\u0bb0\u0ba3\u0bc8\u00a0<\/em>(<em>Pannual: Socio Cultural Inquiry)<\/em>, Issue 6, pp.31-50).<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2007, <a href=\"https:\/\/noolaham.net\/project\/735\/73488\/73488.pdf\">&#8216;\u0b95\u0bbe\u0bb2\u0ba9\u0bbf\u0baf \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bc1 \u0b93\u0bb5\u0bbf\u0baf\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0ba8\u0bb5\u0bc0\u0ba9\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bc1\u0bae\u0bcd \u0bae\u0bc1\u0bb0\u0ba3\u0ba3\u0bbf\u0baf\u0bc1\u0bae\u0bcd&#8217;<\/a> (Modernity and Irony in the paintings of Colonial Jaffna)<em> \u0baa\u0ba9\u0bc1\u0bb5\u0bb2\u0bcd: \u0b9a\u0bae\u0bc2\u0b95 \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1 \u0bb5\u0bbf\u0b9a\u0bbe\u0bb0\u0ba3\u0bc8\u00a0<\/em>(<em>Pannual: Socio Cultural Inquiry)<\/em>, Issue 5, pp.5-33.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2005, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/6265\/1\/\u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bb1\u0bcd\u0bb1\u0bb5\u0bb1\u0bcd\u0bb1\u0bb1%20\u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bbe\u0b95\u0bcd\u0b95\u0bb2\u0bcd.pdf\">&#8216;\u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bb1\u0bcd\u0bb5\u0bb1\u0bcd\u0bb1\u0bc8 \u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bbe\u0b95\u0bcd\u0b95\u0bb2\u0bcd: \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bc1\u0b95\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0bae\u0bc1\u0b95\u0bae\u0ba3\u0bcd\u0b9f\u0baa\u0b95\u0bcd \u0b95\u0b9f\u0bcd\u0b9f\u0b9f\u0b95\u0bcd\u0b95\u0bb2\u0bc8\u0baf\u0bbf\u0ba9\u0bcd \u0b95\u0bcb\u0bb2\u0bae\u0bbe\u0bb1\u0bcd\u0bb1\u0bae\u0bcd&#8217; (\u2018Making the Impermanent Permanent: The Configurations of Mugamadhapa Architecture in Jaffna Temples\u2019),<\/a> <em>\u0b9a\u0bbf\u0ba8\u0bcd\u0ba4\u0ba9\u0bc8<\/em>,(<em>Chinthanai)<\/em>, Vol.\u00a0 XV, issue 1, pp. 101-116.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2000, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/4684\/2\/Contemporary%20Temple%20Paintings%20in%20Jaffna-%20Visual%20Meaning%20and%20Popular%20Belief.pdf\">&#8216;\u0b9a\u0bae\u0b95\u0bbe\u0bb2\u0ba4\u0bcd\u0ba4\u0bc1 \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0b95\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd: \u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0baf \u0b85\u0bb0\u0bcd\u0ba4\u0bcd\u0ba4\u0bae\u0bc1\u0bae\u0bcd \u0b9a\u0ba9\u0bb0\u0b9e\u0bcd\u0b9a\u0b95 \u0ba8\u0bae\u0bcd\u0baa\u0bbf\u0b95\u0bcd\u0b95\u0bc8\u0baf\u0bc1\u0bae\u0bcd\u2019<\/a>(Contemporary Temple Paintings in Jaffna- Visual Meaning and Popular Belief), Chinthanai, Vol xii, issue ii.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2000, &#8216;\u0b87\u0bb0\u0bc1\u0baa\u0ba4\u0bbe\u0bae\u0bcd \u0ba8\u0bc2\u0bb1\u0bcd\u0bb1\u0bbe\u0ba3\u0bcd\u0b9f\u0bbf\u0bb2\u0bcd \u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0baf\u0b95\u0bcd\u0b95\u0bb2\u0bc8 \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0ba4\u0bae\u0bbf\u0bb4\u0bcd \u0b87\u0bb2\u0b95\u0bcd\u0b95\u0bbf\u0ba4\u0bcd\u0ba4\u0bc1\u0b95\u0bbf\u0b9f\u0bc8\u0baf\u0bbf\u0bb2\u0bbe\u0ba9 \u0b8a\u0b9f\u0bbe\u0b9f\u0bcd\u0b9f\u0bae\u0bcd'(Interaction between visual art and Tamil literature in 20<sup>th<\/sup> century), <em>\u0ba4\u0bae\u0bbf\u0bb4\u0bbf\u0ba9\u0bbf, (Tamilini)<\/em>, Nagarcoil; Kalachchuvadu.<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Articles in Non-Refereed Journals <\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\">Sanathanan,T., &#8216;\u0ba4\u0bbf\u0bb0\u0bbf\u0b9a\u0b99\u0bcd\u0b95\u0bc1 \u0bb5\u0bc6\u0bb3\u0bbf: \u0b95\u0bbe\u0bb2\u0ba9\u0bbf\u0baf \u0b95\u0bca\u0bb4\u0bc1\u0bae\u0bcd\u0baa\u0bbf\u0bb2\u0bcd \u0baa\u0bc6\u0ba3\u0bcd \u0baa\u0b9f\u0bc8\u0baa\u0bcd\u0baa\u0bbe\u0bb3\u0bbf\u0b95\u0bb3\u0bcd&#8217; (Space in-between: Women Artist in Colonial Colombo, Art Lab, Issue 4&amp; 5, pp.59-63.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., &#8216;\u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0baf\u0bae\u0bbe\u0b95\u0bcd\u0b95\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0baa\u0bc6\u0ba3\u0bcd \u0b89\u0b9f\u0bb2\u0bcd: \u0b9c\u0bcb\u0bb0\u0bcd\u0b9a\u0bcd \u0b95\u0bc0\u0bb1\u0bcd\u0bb1\u0bbf\u0ba9\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0bae\u0bb0\u0baa\u0bc1\u0bae\u0bcd \u0ba8\u0bb5\u0bc0\u0ba9\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bc1\u0bae\u0bcd&#8217; (Visualized Female Body: Tradition and Modernity in George Keyt\u2019s Paintings), Art Lab, Issue 4&amp;5, pp.90-107.<\/li><li style=\"font-weight: 400;\">Shanaathanan, T., Shortlist \/Sri Lanka, Asian Art Archive, Hong Kong <a href=\"https:\/\/aaa.org.hk\/en\/ideas\/ideas\/shortlist-sri-lanka\">https:\/\/aaa.org.hk\/en\/ideas\/ideas\/shortlist-sri-lanka.<\/a><\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2003\/2004, <a href=\"https:\/\/drive.google.com\/file\/d\/1oxA_6KHXl81FYMEaH5P5X0Q8FCdU3O5g\/view?usp=sharing\">&#8216;\u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bb5\u0bb0\u0bbf\u0b9f\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0bae\u0bcd \u0b8e\u0ba9\u0bcd\u0bb1 \u0b95\u0bb2\u0bc8 \u0bb5\u0b9f\u0bbf\u0bb5\u0bae\u0bcd: \u0b93\u0bb0\u0bcd \u0b85\u0bb1\u0bbf\u0bae\u0bc1\u0b95\u0b95\u0bcd\u0b95\u0bc1\u0bb1\u0bbf\u0baa\u0bcd\u0baa\u0bc1&#8217;\u00a0(Painting among Jaffna people: An Introductory Note)<\/a>, Hindu Dharmam, University of Peradeniya, pp.42-46.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2001, \u0b9a\u0bbf\u0ba9\u0bcd\u0ba9\u0ba4\u0bcd\u0ba4\u0bae\u0bcd\u0baa\u0bbf \u0b85\u0bae\u0bb0\u0b9a\u0bbf\u0b99\u0bcd\u0b95\u0ba4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd \u0baa\u0b9f\u0bc8\u0baa\u0bcd\u0baa\u0bbe\u0b95\u0bcd\u0b95 \u0b85\u0ba9\u0bc1\u0baa\u0bb5\u0b95\u0bcd\u0b95\u0bc1\u0bb1\u0bbf\u0baa\u0bcd\u0baa\u0bc1, (Sinnaththamby Amarasigam), Ther Thiruuani Malar, Sri Ambalavana Vetha Vinayagar Temple, Thavady, pp. 21-24.<\/li><li style=\"font-weight: 400;\">Sanathanan,T 2001, \u2018<a href=\"https:\/\/drive.google.com\/file\/d\/1UWd8-_9HW6o0-fo8QJYvIHfKQKi5OzPh\/view?usp=sharing\">Re- Evaluating Mark <\/a><a href=\"https:\/\/drive.google.com\/file\/d\/1UWd8-_9HW6o0-fo8QJYvIHfKQKi5OzPh\/view?usp=sharing\">Master<\/a>\u2019, <em>Third Eye<\/em>, Issue 7, January, p.12.<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Conference Proceedings <\/strong><\/span><\/h5><h6><span style=\"color: #000080;\"><strong>Published as Full Paper<\/strong><\/span><\/h6><ul><li style=\"font-weight: 400;\">Sanathanan, T., 2017, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/4675\/2\/How%20to%20draw%20histories%20art%20as%20method.pdf\">\u2018How to draw histories? art as method\u2019<\/a>, in <em>Idea of India: conference proceedings<\/em>, Seagull Foundation for Arts, Calcutta,\u00a0 pp.114-130.<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h6><span style=\"color: #000080;\"><strong>Published in Abstract Form<\/strong><\/span><\/h6><ul><li style=\"font-weight: 400;\"><p>Sanathanan, T., 2025, &#8216;Political Pop after the 1990s in Sri Lanka: Meaning and Dissonance\u2019<em>,<\/em> Pop Art and South Asia\u00a0Conference, Jaffna, organized by University of Cornel, USA. Sri Lankan Archive of Contemporary Art, Architecture and Design, American Institute for Lankan Studies.<\/p><p>Sanathanan,T., Gillian Juleff, Kamalakumari Karunaanithy, Ruth Young, 2025, \u2018Is there q role for archaeology and heritage in Jaffna\u2019s future?\u2019, International Symposium, Rethinking Heritage: Conflict, Reconciliation &amp; Agency, University of Jaffna.<\/p><\/li><li><p>Sanathanan, T., 2024, \u2018Pathways of Representationalism: Catholic Polychrome Wooden Icons of Jaffna\u2019, <em style=\"font-weight: 400;\">An International conference on<\/em>\u00a0<em>Tamil\u00a0<b> <\/b>Christian Art Worlds, <\/em>Department of Fine Arts, University of Jaffna, Sri Lanka, and the Post Graduate &amp; Research Department of Folklore and FRRC (Folklore Resources &amp; Research Center), St. Xavier\u2019s College (autonomous), Palayamkottai, Tamilnadu, South India.<\/p><\/li><li style=\"font-weight: 400;\"><p>Sanathanan, T., 2019, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5051\/2\/Archive%20of%20the%20difficult%20past%20violence%2c%20memory%2c%20resistance%20and%20photography%20in%20srilanka.pdf\">\u2018Archiving the difficult past: violence, memory, resistance and photography in Sri Lanka.\u201d\u00a0<\/a> <em>Light writing\u2019: international conference on photography<\/em>. Chennai Photo Biennial, (16-17, March), p.1.<\/p><\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2017, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/4675\/2\/How%20to%20draw%20histories%20art%20as%20method.pdf\">\u2018How to draw histories?: art as method\u2019<\/a>, <em>Idea of India: An International conference on teaching History<\/em>,\u00a0 Seagull Foundation for Arts, Calcutta, India. (15-17 August).<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2016, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5049\/2\/An%20inventory%20of%20ephemera%20crafting%20kitchen%20utensils%20from%20wood%20%26%20palmyrah.pdf\">\u2018An inventory of ephemera: kitchen utensils from wood and palmyrah\u2019<\/a>, <em>International Conference on the Kitchen; Culinary Ethnology in Sri Lanka,<\/em> Lanka Decorative Arts, Colombo, ( 4-7 August) p.19.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2015, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5057\/2\/Tradition%20and%20modernity%20early%20twentieth%20century%20murals%20of%20jaffna.pdf\">\u2018Tradition and modernity: early twentieth century murals of Jaffna\u2019<\/a>, <em>Workshop on Developing Perspectives on the Art Histories of Sri Lanka<\/em>, American Institute for Sri Lankan Studies,\u00a0 Colombo (25, July).<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2015, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5056\/2\/Painted%20female%20body%20modernity%2c%20tradition%20and%20female%20nudity%20in%20george%20keyts%20paintings.pdf\">\u201cPainted female body: modernity, tradition and female nudes in George Keyt\u2019s Paintings\u2019<\/a>\u2019, <em>Engineering Social Transformation through research and Development, Annual Research Symposium<\/em>, National Centre for Advance Studies in Humanities and Social Sciences, Sri Lanka (8-9 June ), p.116.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2012, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5053\/2\/Cannon%20of%20changechange%20of%20cannon%20popular%20architectural%20style%20of%20jaffna%20temples.pdf\">\u2018Cannon of change \/ change of cannon: popular architectural styles of Jaffna temples\u2019<\/a>, <em>Connecting South Asia<\/em>, Theertha International Artists\u2019 Association and Colombo Institute, at Post graduate Institute of Archeology, Colombo (28-29 ,September), p.4.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2012, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5050\/2\/Architecture%20of%20memory%20memory%20of%20Architecture%20art%2c%20memory%20and%20conflict%20in%20srilanka.pdf\">\u2018Architecture of memory\/ memory of architecture; art, memory and conflict in Sri Lanka\u201d<\/a>, <em>Disturbing Past: Memories\/ Controversies\/ Creativity<\/em>, Museum of Ethnology, Vienna, Austria( 20-22 November)..<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2012, \u2018<a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5054\/2\/Memorizing%20home%20art%20as%20place%20making.pdf\"> Memorizing home: art: art as place making\u2019<\/a>, <em>Art and Aesthetics in a Globalizing World, <\/em>Association of social Anthropologists of UK and Commonwealth, Jawaharlala Nehru University ,New Delhi, (3-6 April)p.127.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2011, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/handle\/123456789\/5326\">\u2018Painting the Sinhala Buddhist nation: Temple murals of M. Sarlis\u2019,<\/a>\u00a0 <em>Re- Thinking Sri Lankan Art History, Object, Methods and Politics<\/em>. Department of Fine Arts, University of Jaffna (4-5 March),.<\/li><li>Perera, Sasanka., 2011, \u2018Gated communities as packaged fantasies: the meeting of the local and the global and the standardization of the taste in urban Sri Lanka, in Jonathan Shapiro Anjariaand Colin McFarlane(eds.), Urban navigations: politics, space and city in South Asia, Routledge, New Delhi.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2008, \u2018A stranger and a suspect, being a Sri Lankan Tamil: narratives of person hood in visual art\u2019, <em>Being Human- Being Tamil- Personhood, Agency and Identity, Third Annual Tamil Studies Conference<\/em>, University of Toronto, Canada (May 15-17 ), p.33.<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Translations<\/strong><\/span><\/h5><ul><li>Bank Michael, 1960, \u2018Cast in Jaffna\u2019, in E.R.Leach (ed), <em>Aspect of caste in South India, Ceylon and North-West Pakistan,<\/em> Cambridge University Press, Cambridge, pp.61-76.<\/li><li style=\"font-weight: 400;\">Wimal, Saminathan, T.Sanathanan (trans.), <a href=\"https:\/\/noolaham.net\/project\/147\/14689\/14689.pdf\">&#8216;\u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b9a\u0bbe\u0ba4\u0bbf<\/a>&#8216;, \u0baa\u0ba9\u0bc1\u0bb5\u0bb2\u0bcd, Issue 7, 2009, pp. 6-27<\/li><li>Sanathanan.T., (trans.) 2007, &#8216;\u0b8e\u0bb2\u0bcd\u0bb2\u0bbe \u0bb5\u0bc7\u0b9f\u0bb0\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b8e\u0b99\u0bcd\u0b95\u0bc1 \u0b9a\u0bc6\u0ba9\u0bcd\u0bb1\u0bc1\u0bb5\u0bbf\u0b9f\u0bcd\u0b9f\u0ba9\u0bb0\u0bcd?: \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0baf\u0bbf\u0bb2\u0bcd \u0baa\u0bcc\u0ba4\u0bcd\u0ba4\u0bae\u0bc1\u0bae\u0bcd \u0bae\u0bc1\u0ba4\u0bc1\u0b95\u0bc1\u0b9f\u0bbf\u0ba4\u0bcd\u0ba4\u0ba9\u0bcd\u0bae\u0bc8\u0baf\u0bc1\u0bae\u0bcd&#8217;, in T.Sanathanan (ed), \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0b9a\u0bcd \u0b9a\u0bae\u0bc2\u0b95\u0ba4\u0bcd\u0ba4\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0bb5\u0bbe\u0b9a\u0bbf\u0ba4\u0bcd\u0ba4\u0bb2\u0bcd: \u0ba4\u0bc6\u0bb0\u0bbf\u0bb5\u0bc1\u0b9a\u0bc6\u0baf\u0bcd\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0b95\u0b9f\u0bcd\u0b9f\u0bc1\u0bb0\u0bc8\u0b95\u0bb3\u0bcd \u0bae\u0bc2\u0ba9\u0bcd\u0bb1\u0bbe\u0bb5\u0ba4\u0bc1 \u0ba4\u0bca\u0b95\u0bc1\u0ba4\u0bbf, Colombo Institute, Colombo, pp.3-28.<\/li><li>Sanathanan, T., (trans.) 2007, &#8216;\u0b86\u0bb5\u0bbf\u0baf\u0bbf\u0ba9\u0bcd \u0baa\u0bc0\u0b9f\u0bbf\u0ba4\u0bcd\u0ba4\u0bb2\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0baa\u0bb4\u0bbf \u0ba4\u0bc0\u0bb0\u0bcd\u0b95\u0bcd\u0b95\u0bc1\u0bae\u0bcd \u0baa\u0bbf\u0b9a\u0bbe\u0b9a\u0bc1\u0b95\u0bb3\u0bc1\u0bae\u0bcd: \u0baa\u0baf\u0b99\u0bcd\u0b95\u0bb0\u0ba4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd \u0b95\u0ba4\u0bc8\u0baf\u0bbe\u0b9f\u0bb2\u0bcd\u0b95\u0bb3\u0bbe\u0b95\u0bb5\u0bc1\u0bae\u0bcd \u0b8e\u0ba4\u0bbf\u0bb0\u0bcd\u0b95\u0bca\u0bb3\u0bcd\u0bb3\u0ba9\u0ba4\u0bc1\u0bae\u0bcd \u0ba8\u0bbf\u0ba9\u0bc8\u0bb5\u0bc1\u0b95\u0bc2\u0bb0\u0bcd\u0ba4\u0bb2\u0bbf\u0ba9\u0ba4\u0bc1\u0bae\u0bcd \u0baa\u0bca\u0bb1\u0bbf\u0bae\u0bc1\u0bb1\u0bc8\u0b95\u0bb3\u0bbe\u0b95 \u0b87\u0baf\u0bb1\u0bcd\u0b95\u0bc8\u0b95\u0bcd\u0b95\u0bc1 \u0b85\u0baa\u0bcd\u0baa\u0bbe\u0bb1\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0b9a\u0bc6\u0baf\u0bb1\u0bcd\u0baa\u0bbe\u0b9f\u0bc1\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0b95\u0ba4\u0bc8\u0b95\u0bb3\u0bcd, in T.Sanathanan (ed), \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0b9a\u0bcd \u0b9a\u0bae\u0bc2\u0b95\u0ba4\u0bcd\u0ba4\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0bb5\u0bbe\u0b9a\u0bbf\u0ba4\u0bcd\u0ba4\u0bb2\u0bcd: \u0ba4\u0bc6\u0bb0\u0bbf\u0bb5\u0bc1\u0b9a\u0bc6\u0baf\u0bcd\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0b95\u0b9f\u0bcd\u0b9f\u0bc1\u0bb0\u0bc8\u0b95\u0bb3\u0bcd \u0bae\u0bc2\u0ba9\u0bcd\u0bb1\u0bbe\u0bb5\u0ba4\u0bc1 \u0ba4\u0bca\u0b95\u0bc1\u0ba4\u0bbf, Colombo Institute, Colombo, pp.31-94.<\/li><li>Jeevasuthan,S., T, Sanathanan., 2006, &#8216;<a href=\"http:\/\/noolaham.net\/project\/735\/73487\/73487.pdf\">\u0baa\u0bca\u0ba4\u0bbf \u0b9a\u0bc6\u0baf\u0bcd\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0bb5\u0bbf\u0ba9\u0bcb\u0ba4\u0b99\u0bcd\u0b95\u0bb3\u0bbe\u0b95\u0ba4\u0bcd \u0ba4\u0bca\u0b9f\u0bb0\u0bcd\u0bae\u0bbe\u0b9f\u0bbf \u0bae\u0ba9\u0bc8\u0b95\u0bb3\u0bcd<\/a>, \u0baa\u0ba9\u0bc1\u0bb5\u0bb2\u0bcd, Issue 4, pp.64-86.<\/li><li>Saminathan Wimal and T.Sanathanan (trans.), &#8216;<a href=\"http:\/\/noolaham.net\/project\/149\/14827\/14827.pdf\">\u0b95\u0bbe\u0bb2\u0ba9\u0bbf\u0baf \u0ba8\u0b95\u0bb0\u0ba4\u0bcd\u0ba4\u0bc8\u0b9a\u0bcd \u0b9a\u0bc1\u0ba4\u0bc7\u0b9a\u0bae\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bc1\u0ba4\u0bcd\u0ba4\u0bc1\u0ba4\u0bb2\u0bcd: \u0baa\u0ba4\u0bcd\u0ba4\u0bca\u0ba9\u0bcd\u0baa\u0ba4\u0bbe\u0bae\u0bcd \u0ba8\u0bc2\u0bb1\u0bcd\u0bb1\u0bbe\u0ba3\u0bcd\u0b9f\u0bbf\u0ba9\u0bcd \u0b87\u0bb1\u0bc1\u0ba4\u0bbf\u0baa\u0bcd\u0baa\u0b95\u0bc1\u0ba4\u0bbf\u0baf\u0bbf\u0bb2\u0bcd \u0b95\u0bca\u0bb4\u0bc1\u0bae\u0bcd\u0baa\u0bc1\u0bae\u0bcd \u0b85\u0ba4\u0ba9\u0bcd \u0ba8\u0bbf\u0bb2\u0bb5\u0bc1\u0bb0\u0bc1\u0bb5\u0bc1\u0bae\u0bcd<\/a>&#8216;,\u0baa\u0ba9\u0bc1\u0bb5\u0bb2\u0bcd,\u00a0Issue 4 2005, pp.84-126.<\/li><li>Obeysekara, Gananath 2004, \u2018Where have all the veddas gone: Buddhism and aboriginality in Sri Lanka, in Neluka Silva (ed.),<em>The Hybrid Island: culture crossing and the invention of Identity in Sri Lanka<\/em>, Social Scientist Association, Colombo, pp.1-19.<\/li><li>Pollock,Griselda 2003, \u2018Feminist intervention in art histories\u2019, in Vision of difference: feminism, femininity and histories of art, Routledge, London.\u00a0<\/li><li>Perera, Nihal 2002, \u2018Indigenising the colonial city: late 19<sup>th<\/sup> century Colombo and its landscape\u2019, <em>Urban Studies<\/em>, Vol.39, No.9.<\/li><li>Perera, Sasanka 2001, Spirit possessions and avenging ghosts: stories of supernatural activity as narrativesof terror and mechanisms of coping and remembering\u2019, in Veena Das, Arthur Kleinman, Margaret Lock, Mamphela Ramphele and Pamela Raynolds (eds.), Remaking a world: violence, social suffering and recovery, University of California, Los Angeles and Berkley.<\/li><li>Sanathanan, T (year not mentioned), &#8216;\u0b95\u0bb2\u0bc8 \u0bb5\u0bb0\u0bb2\u0bbe\u0bb1\u0bcd\u0bb1\u0bbf\u0bb2\u0bcd \u0baa\u0bc6\u0ba3\u0bcd\u0ba3\u0bbf\u0baf\u0ba4\u0bcd \u0ba4\u0bb2\u0bc8\u0baf\u0bc0\u0b9f\u0bc1&#8217;, <em>Art Lab<\/em>, Issue 3 and 4, pp. 3-20.<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Conference Presentations<\/strong><\/span><\/h5><ul><li><p>Sanathanan. T. 2026, \u2018The Art of Archiving: Art, Memories and heritage in Post Armed conflict Sri Lanka\u2019, Historical and Cultural Studies, University of Toronto, Canada<\/p><p>Sanathanan.T 2025, \u00a0&#8216;\u0b95\u0bbe\u0b9f\u0bcd\u0b9a\u0bbf\u0baa\u0bcd\u0baa\u0bc1\u0bb2\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0ba4\u0bae\u0bbf\u0bb4\u0b9f\u0bc8\u0baf\u0bbe\u0bb3\u0bae\u0bc1\u0bae\u0bcd \u0ba4\u0bae\u0bbf\u0bb4\u0ba4\u0bcd \u0ba4\u0ba9\u0bcd\u0bae\u0bc8\u0baf\u0bc1\u0bae\u0bcd: \u0baa\u0bbf\u0bb0\u0ba4\u0bbf\u0ba8\u0bbf\u0ba4\u0bbf\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bcd, \u0baa\u0bbf\u0bb0\u0ba4\u0bbf, \u0bae\u0bc1\u0b95\u0bb5\u0bb0\u0bcd\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bcd (Tamil Identity and Tamilness in Visual field: Representation, Text and Agency), International Conference.\u0ba4\u0bae\u0bbf\u0bb4\u0bcd \u0baa\u0bc1\u0bb2\u0bae\u0bc8: \u0bb5\u0bb4\u0b95\u0bcd\u0b95\u0bbe\u0bb1\u0bc1-\u0b8e\u0bb4\u0bc1\u0ba4\u0bcd\u0ba4\u0bc1-\u0b95\u0bbe\u0b9f\u0bcd\u0b9a\u0bbf, American College, Madurai.<\/p><\/li><li><p>Sanathanan,T 2022,&#8221;Tradition\/Modernity:Weaving and Dying initiatives in Jaffna&#8221;,Threads on Threads: an International Conference on Textiles in Sri Lanka, South Asia and Europe, Lanka Decorative Art, Colombo(15, October)<\/p><\/li><li>Sanathanan, T 2020, \u2018Indian nationalism and the making of \u2018modern\u2019 in Sri Lankan art\u2019, \u00a0<em>From Alexandria to Tokyo: Art, Colonialism and Entangled Histories : An International conference,<\/em>\u00a0 Tate Modern, London and Mori Art Museum. Tokyo, Japan ( 3<sup>rd<\/sup> , December).<\/li><li>Sanathanan, T 2012, &#8216;\u0ba8\u0bc6\u0bb0\u0bc1\u0b95\u0bcd\u0b95\u0ba4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd \u0bb5\u0bbf\u0bae\u0bcd\u0baa\u0bae\u0bcd \u0b85\u0ba9\u0bcd\u0ba8\u0bbf\u0baf\u0ba4\u0bcd\u0ba4\u0ba9\u0bae\u0bcd: \u0bb5\u0bc8\u0ba4\u0bc7\u0b95\u0bbf\u0baf\u0bbf\u0ba9\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0bae\u0bc0\u0ba4\u0bbe\u0ba9 \u0bb5\u0bbe\u0b9a\u0bbf\u0baa\u0bcd\u0baa\u0bc1&#8217;\u00a0(Strangeness as the reflection of Closeness: A reading on the paintings of Vaidehi), \u0baa\u0bc6\u0ba3\u0bcd \u0b8e\u0ba9\u0bcd\u0bb1\u0ba4\u0bcb\u0bb0\u0bcd \u0baa\u0bbf\u0bae\u0bcd\u0baa\u0bae\u0bcd\u00a0(Woman as an Image), A conference organized by Women education and Research Center, Colombo(7-8, December) .<\/li><li style=\"font-weight: 400;\">Sanathanan, T 2012, \u2018Colonial Buddhist murals: modernity &amp; liminality\u2019,\u00a0 Historical Interpretation Workshop proceedings, American Institute for Sri Lankan Studies, Colombo( 26-27 July).<\/li><li style=\"font-weight: 400;\">Sanathanan, T 2009, \u2018Space\/erasure; imagining and imaging of place in the visuals of Sri Lankan and diaspora Tamil artists\u2019, <em>Beyond Nations: <\/em><em>Diasporas, Transnational Practices and Global Engagement,<\/em> International Centre for Ethnic studies (Colombo), University of Windsor (Canada) and Ryerson University (Canada), Penang, Malaysia (22-24 Feb)<\/li><li style=\"font-weight: 400;\">Sanathanan, T 2004, Dislocated locations: reading contemporary visual art in Jaffna, A Paper Presented at the Workshop on \u2018Reading Contemporary Sri Lankan Visual Arts: Painting, Sculpture and Installation in Perspective\u2019, Goethe Institute, Colombo ( 14 July).<\/li><li style=\"font-weight: 400;\">\u00a0Sanathanan, T 2004, \u2018Artist as a rebellion: surreal relocations of identity\u2019<em> Trans\/Formations: A Conference on Tamil Nationalism, <\/em>ICES, Colombo, Sri Lanka, (December 16-19).<\/li><li style=\"font-weight: 400;\">Sanathanan, T 2001, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/6265\/1\/\u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bb1\u0bcd\u0bb1\u0bb5\u0bb1\u0bcd\u0bb1\u0bb1%20\u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bbe\u0b95\u0bcd\u0b95\u0bb2\u0bcd.pdf\">\u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bb1\u0bcd\u0bb1\u0bb5\u0bb1\u0bcd\u0bb1\u0bc8 \u0ba8\u0bbf\u0bb0\u0ba8\u0bcd\u0ba4\u0bb0\u0bae\u0bbe\u0b95\u0bcd\u0b95\u0bb2\u0bcd: \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0bae\u0bc1\u0b95\u0bae\u0ba3\u0bcd\u0b9f\u0baa\u0b95\u0bcd \u0b95\u0b9f\u0bcd\u0b9f\u0b9f\u0b95\u0bcd\u0b95\u0bb2\u0bc8&#8217;<\/a> (Making the impermanent permanent: Mugamadapa architecture in Jaffna), <em>Contextualizing Jaffna Architecture; Aspects and Styles<\/em>, Department of Fine Arts, University of Jaffna ( 28-29 March).<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Memorial Lecture<\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\">Sanathanan, T\u00a0 2020, <a href=\"http:\/\/\u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0ba4\u0bbf\u0bb0\u0bc1\u0bae\u0ba3 \u0bae\u0ba3\u0bcd\u0b9f\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0b9a\u0bae\u0bc2\u0b95\u0bae\u0bbe\u0bb1\u0bcd\u0bb1\u0bae\u0bc1\u0bae\u0bcd \u0bb5\u0bc6\u0b95\u0bc1\u0b9a\u0ba9 \u0bb5\u0bc6\u0bb3\u0bbf\u0baa\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1\u0baa\u0bcd \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bc1\u0bae\u0bcd\" data-wplink-url-error=\"true\">\u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0ba4\u0bbf\u0bb0\u0bc1\u0bae\u0ba3\u0bae\u0ba3\u0bcd\u0b9f\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd: \u0b9a\u0bae\u0bc2\u0b95 \u0bae\u0bbe\u0bb1\u0bcd\u0bb1\u0bae\u0bc1\u0bae\u0bcd \u0bb5\u0bc6\u0b95\u0bc1\u0b9a\u0ba9 \u00a0 (Marriage Halls in Jaffna: Social Change and Popular Expressive Culture)<\/a> S.D .Lourdu Endowment Lecture:, Folklore Research Centre, St. Xavier College, Palayamkottai.<\/li><li style=\"font-weight: 400;\">Sanathanan,T 2012, &#8216;\u0b85\u0bb4\u0b95\u0bbf\u0baf\u0bb1\u0bcd\u0b95\u0bb2\u0bcd\u0bb5\u0bbf: \u0baa\u0bbe\u0b9f\u0b9a\u0bbe\u0bb2\u0bc8 \u0bae\u0b9f\u0bcd\u0b9f\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b87\u0bb2\u0b9f\u0bcd\u0b9a\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b8e\u0bb2\u0bcd\u0bb2\u0bc8\u0b95\u0bb3\u0bc1\u0bae\u0bcd, (Aesthetic Education: Ideals and limits at the School Level),\u00a0Mahavidvan Brammasri Veeramani Iyar memorial Lecture, Jaffna National School of Education (09, June 2012).<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Keynote Address<\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\"><p>Sanathanan, T. 2006, Inaugural Tamil Studies Lecture Series: Burden of Identity: Art in 20<sup>th<\/sup> Century Tamil World, Center for South Asian Studies, University of Toronto, Canada (23 January).<\/p><\/li><li style=\"font-weight: 400;\"><p>Sanathanan, T 2020, \u2018Contemporary architecture and Tamilness\u2019<strong>, <\/strong><em>International Conference on Visual Culture,<\/em> Department of Folklore and Folklore Research Centre, St, Xavier College, Palayamkottai, Tamil Nadu (20 January).<\/p><\/li><li style=\"font-weight: 400;\">Sanathanan,T 2018,\u2018Stories of survival\/ resistance: art , memory and justice in post war Sri Lanka\u2019, <em>Justice on the Move: Tenth Annual Global South Asia NYU Conference<\/em>, New York University (23-24 February).<\/li><li style=\"font-weight: 400;\">Sanathanan, T 2018, Archiving and art making; text, intertext and translation,\u00a0 <em>Artscape<\/em>: <em>Imaging and Imagining: International Seminar<\/em>, KNM Government Arts and Science College, Kanjiramkulam, Thiruvananthapuram, Kerala (13-16 November).<\/li><li style=\"font-weight: 400;\">Sanathanan T 2016, \u2018Art and the politics of memory in contemporary Sri Lanka<strong>, <\/strong><em>Bearing Witness: Unspeakable Crimes, Invisible Atrocities- Second Tamil Studies Symposium<\/em>, York University, Canada( 6-7 May).<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Invited Talks<\/strong><\/span><\/h5><ul><li><p>&#8216;Towards an integrated art practice&#8217;, Barefoot gallery Colombo, 2025.<\/p><p>&#8216;Book Talk: Migrated Styles\/Connected Histories: Murals in Jaffna&#8217;. St Xervier College Palayamkottai, 2025.<\/p><\/li><li><p>&#8216;Contemporary Art Syllabi: Case Studies from Hong Kong, India, and Sri Lanka,&#8217; Asian Art Archive, Hong Kong (22 February 2025) (Webinar)<\/p><\/li><li><p>&#8216;Ethnicizing Kandyan Design: Coomraswamy and Popular Narratives,&#8217; American Institute for Sri Lankan Studies (23 January 2025) (Webinar)<\/p><\/li><li><p>&#8216;Building of a \u2018New\u2019 Identity: Mandapams of Jaffna Temples,&#8217; National Trust Sri Lanka (29 August 2024).<\/p><p>&#8216;How to draw memory: Art as Method,&#8217; Professorial Lecture, University of Jaffna, (11 January 2023).<\/p><\/li><li><p>&#8216;Remembering A. Rasiah, Gallery Talk&#8217;, Museum of Modern and Contemporary Arts (10 April 2022).<\/p><\/li><li><p>\u2018Art as Witness\u2019, An online Lecture, Department of Visual and Technological Arts, SVIAS, Batticaloa (31, January 2021).<\/p><\/li><li>\u201c<a href=\"https:\/\/www.facebook.com\/icessrilanka\/videos\/3899728136724601\/\">Re\/presenting Past: Art as Method<\/a>\u201d, Her\u2019story, His\u2019tory, Our\u2019story: Engaging with and Learning about the Past, International Centre for Ethnic Studies, Colombo ,(9.Dec 2020)( Webinar)<\/li><li>\u2018Reservoir of Knowledge: The Art Archive as a Site of Teaching and learning\u2019, An online Session for Art Educators of Nepal, Asian Art Archive &amp; Mobile Library Nepal ( 05<sup>th<\/sup> Aug2020)<\/li><li>\u2018Social Change, popular expression and Wedding sets in Jaffna\u2019, Sri Lankan Archive for contemporary Art, Architecture and Design, Jaffna 2020.<\/li><li>\u2018Gallery Talk\u2019, Museum of Modern and Contemporary Arts (5. January 2020)<\/li><li>\u2018Artist as Eye Witness\u2019, Rosa Muthaiah Library, Chennai, Organized by FICCA and Kochi Biennial Foundation ( 17<sup>th<\/sup> October 2018)<\/li><li>\u2018Contemporary Art in Sri Lanka\u2019, Apparao Galleries, Chennai (17Jan 2018).<\/li><li>\u2018Chest of Memories, Lines of Discovery, Colours of Healing\u2019, The Hindu Lit for Life (Literary Festival) 2018 , Chennai (16 Jan 2018)<\/li><li>\u2018Let\u2019s talk with T.Shanaathanan\u2019, Kochi- Musiris Art Biennial,(17\u00a0 December 2017.<\/li><li>\u2018Trans\/formations: Archiving in Art\u2019, Asian Art Archive, Hong Kong (23 August 2016)<\/li><li>\u2018Cultural response to conflict\u2019, Commonwealth People\u2019s Forum, CHOGM, Malta ( 24, November,2015)<\/li><li>\u2018Master\u2019s Vision: The Illusion of Realism in Sri Lankan Art\u2019, Sri Lankan Archive for contemporary Art, Architecture and Design, Jaffna (5 April 2014).<\/li><li>\u201cSelf, Home and the world\u201d. Jaffna Science Association, Section D, University of Jaffna (1, November,2001<\/li><\/ul><p style=\"font-weight: 400;\">\u00a0<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"5\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2605\" aria-expanded=\"false\">Writer of Chapters<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2605\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"5\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2605\" tabindex=\"0\" hidden=\"hidden\"><ul><li><h5><span style=\"color: #000080;\">Writer of Chapters\u00a0<\/span><\/h5><\/li><\/ul><ul><li style=\"font-weight: 400;\"><p>Sanathanan, T., 2025, &#8216;<a href=\"https:\/\/www.routledge.com\/Contemporary-Sri-Lankan-Literature-and-Art-The-Creation-of-a-New-Community-in-the-Aftermath-of-War\/Horlacher-Meegaswatta\/p\/book\/9781032479170\">Traitors&#8217;\/&#8217;Terrorists&#8217; and the Art of Self-Censorship<\/a><strong>,&#8217; <\/strong>Stefan Horlacher,\u00a0Thilini Meegaswatta (eds.) Contemporary Sri Lankan Literature and Art: The Creation of a New Community in the Aftermath of War, Routledge India.<\/p><\/li><li style=\"font-weight: 400;\"><p>Sanathanan, T., 2003, \u2018Traditional Art of Jaffna\u2019, in Sarala Fernando et al (ed.) Jaffna Heritage, Colombo: National Trust of Sri Lanka.<\/p><p>Sanathanan, T., 2022, \u2018Modern and contemporary art in Sri Lanka\u2019, in Mitter, Partha, Dave Mukherji and Balram Rahee (eds.), <a href=\"https:\/\/www.amazon.com\/20th-Century-Indian-Art-Independence\/dp\/0500023328\"><em>20<sup>th<\/sup> Century Indian Art<\/em><\/a>, Themes and Hudson. London.<\/p><\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2020, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5332\/2\/\u0bae\u0bc1.%20\u0b95\u0ba9\u0b95\u0b9a\u0baa\u0bc8\u0baf\u0bbf\u0ba9\u0bcd%20\u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd%20\u0b87\u0ba9\u0bb5\u0bb0\u0bc8\u0baa\u0bbf\u0baf\u0bb2\u0bcd%20\u0bb5\u0bb0\u0bc8\u0baa\u0b9f\u0bb5\u0bbe\u0b95\u0bcd\u0b95\u0bae\u0bc1\u0bae\u0bcd.pdf\">&#8216;\u0bae\u0bc1. \u0b95\u0ba9\u0b95\u0b9a\u0baa\u0bc8\u0baf\u0bbf\u0ba9\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b87\u0ba9\u0bb5\u0bb0\u0bc8\u0baf\u0b9f\u0bae\u0bbe\u0b95\u0bcd\u0b95\u0bb2\u0bc1\u0bae\u0bcd&#8217; (Paintings of M, Kanagasabai and ethnographic mapping)<\/a>in E. Thanancheyan (ed.), \u0b93\u0bb5\u0b9a\u0bcd\u0b9a\u0bc6\u0baf\u0bcd\u0ba4\u0bbf; \u0b95\u0b9f\u0ba8\u0bcd\u0ba4\u0b95\u0bbe\u0bb2\u0b9a\u0bcd \u0b9a\u0bc6\u0baf\u0bcd\u0ba4\u0bbf\u0b95\u0bb3\u0bcd \u0b9a\u0bc6\u0bb2\u0bcd\u0bb2\u0bc1\u0bae\u0bcd \u0bae\u0bc1. \u0b95\u0ba9\u0b95\u0b9a\u0baa\u0bc8\u0baf\u0bbf\u0ba9\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd,\u00a0Society for Tamilology, Colombuthurai, pp. 13-25. ( ISBN 9786245381005)<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2017, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/handle\/123456789\/5326\">\u2018Visualizing the Sinhala Buddhist nation: Buddhist temple murals of Sarlis master\u2019<\/a>, in Sujatha Arundathi\u00a0 Meegama (ed.), <em>Sri Lanka: connected art histories,<\/em> Marg Foundation, Mumbai, pp.94-111.( ISBN 938324318-X)<\/li><li style=\"font-weight: 400;\">Deve-Mukherji, Parul, Simone Wille, AKM Kademul Hague, T. Sanathanan,\u00a0 \u00a02015, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5325\/2\/Visual%20arts%20in%20south%20asia.pdf\">\u2018Visual arts in South Asia\u2019<\/a> in Ross Stephen and Allana C. Lindgren (eds.), <em>The modernist world<\/em>, Rutledge, London, pp.145-152.( ISBN 976-0415-84503-8).<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2015, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5331\/2\/\u0baa\u0bc1\u0ba4\u0bbf\u0baf%20\u0b85\u0b9f\u0bc8\u0baf\u0bbe\u0bb3\u0ba4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd%20\u0b89\u0bb0\u0bc1\u0bb5\u0bbe\u0b95\u0bcd\u0b95\u0bae\u0bcd%20\u0ba8\u0bb2\u0bcd\u0bb2\u0bc2\u0bb0\u0bcd%20\u0b95\u0ba8\u0bcd\u0ba4\u0b9a\u0bbe\u0bae\u0bbf%20\u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd%20\u0bae\u0bc1\u0b95\u0bae\u0ba3\u0bcd\u0b9f\u0baa\u0bae\u0bcd.pdf\">&#8216;\u0baa\u0bc1\u0ba4\u0bbf\u0baf \u0b85\u0b9f\u0bc8\u0baf\u0bbe\u0bb3\u0ba4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd \u0b89\u0bb0\u0bc1\u0bb5\u0bbe\u0b95\u0bcd\u0b95\u0bae\u0bcd: \u0ba8\u0bb2\u0bcd\u0bb2\u0bc2\u0bb0\u0bcd \u0b95\u0ba8\u0bcd\u0ba4\u0b9a\u0bbe\u0bae\u0bbf \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0bae\u0bc1\u0b95\u0bae\u0ba3\u0bcd\u0b9f\u0baa\u0bae\u0bcd&#8217; (Making of New Identity: Muga Mandhapam architecture of Nallur Kandasamy Kovil)<\/a>,in C. Rajani (ed.) \u0b9a\u0bbf\u0b99\u0bcd\u0b95\u0bc8 \u0b86\u0bb0\u0bae\u0bcd (<em>Singai Ahram)<\/em>,Nallur Divisional Cultural Organization, Nallur, pp 201-208 ( ISBN 978-955-7778-00-6)<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2010, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5327\/2\/\u0b92\u0bb1\u0bcd\u0bb1\u0bc8\u0baa\u0bcd%20\u0baa\u0bbe\u0ba4\u0bc8\u0baf\u0bbf\u0bb2\u0bcd%20\u0ba4\u0ba9\u0bbf\u0baa\u0bcd\u0baa\u0baf\u0ba3\u0bae\u0bcd%20\u0bb5\u0bc6\u0b99\u0bcd\u0b95\u0b9f\u0bcd%20\u0b9a\u0bbe\u0bae\u0bbf\u0ba8\u0bbe\u0ba4\u0ba9\u0bbf\u0ba9\u0bcd%20\u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0baf\u0b95\u0bcd\u0b95\u0bb2\u0bc8%20\u0baa\u0bb1\u0bcd\u0bb1\u0bbf\u0baf%20\u0b8e\u0bb4\u0bc1\u0ba4\u0bcd\u0ba4\u0bc1\u0b95\u0bcd\u0b95\u0bb3\u0bcd.pdf\">&#8216;\u0b92\u0bb1\u0bcd\u0bb1\u0bc8\u0baa\u0bcd\u0baa\u0bbe\u0ba4\u0bc8\u0baf\u0bbf\u0bb2\u0bcd \u0ba4\u0ba9\u0bbf\u0baa\u0bcd \u0baa\u0baf\u0ba3\u0bae\u0bcd: \u0bb5\u0bc6\u0b99\u0bcd\u0b95\u0b9f\u0bcd \u0b9a\u0bbe\u0bae\u0bbf\u0ba8\u0bbe\u0ba4\u0ba9\u0bbf\u0ba9\u0bcd \u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0b95\u0bcd\u0b95\u0bb2\u0bc8\u0b95\u0bb3\u0bcd \u0baa\u0bb1\u0bcd\u0bb1\u0bbf\u0baf \u0b8e\u0bae\u0bc1\u0ba4\u0bcd\u0ba4\u0bc1\u0b95\u0bcd\u0b95\u0bb3\u0bcd&#8217;<\/a>, (Lonely travel in a single road: Venkat Saminathan\u2019s writngs on Visual Art) , in P,Akilan, Dhilip Kumar, Sathyamurthy (eds.),\u0bb5\u0bc6\u0b99\u0bcd\u0b95\u0b9f\u0bcd \u0b9a\u0bbe\u0bae\u0bbf\u0ba8\u0bbe\u0ba4\u0ba9\u0bcd: \u0bb5\u0bbe\u0ba4\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0bb5\u0bbf\u0bb5\u0bbe\u0ba4\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd\u00a0(Venkat Saminathan: Arguments and Debates), Sandhya Publication, Chennai, pp.263-274.<\/li><li style=\"font-weight: 400;\">Shanaathanan, T., 2010, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/handle\/123456789\/5324\">\u2018Visual art in Jaffna: a register from the periphery\u2019<\/a>, in Kasprychi Sylvia S. &amp; Doris I. Stambrau (eds.), <em>Artful resistance: contemporary art from Sri Lanka<\/em>, ZKF Publishers, Altenstadt, pp.39-46. ( ISBN 978-3-9811620-2-8)<\/li><li style=\"font-weight: 400;\">Shanaathanan, T., 2009, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5323\/2\/Painting%20the%20artist%27s%20self%20location%2c%20relocation%20and%20the%20metamorphosis.pdf\">\u2018Painting the artist\u2019s self: location, relocation and metamorphosis\u2019<\/a>, in R. Cheran (ed.) <em>Pathways of dissent, Tamil nationalism in Sri Lanka<\/em>, Sage, New Delhi, pp.93-106.<\/li><li style=\"font-weight: 400;\">Sanathanan, T., 2007, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5328\/2\/\u0ba4\u0bae\u0bbf\u0bb4\u0bb0\u0bcd%20\u0b93\u0bb5\u0bbf\u0baf\u0b95\u0bcd%20\u0b95\u0bb2\u0bc8.pdf\">&#8216;\u0ba4\u0bae\u0bbf\u0bb4\u0bb0\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b95\u0bcd\u0b95\u0bb2\u0bc8&#8217; (Painting of the Tamils)<\/a>, in K.Sivathamby. (ed.), \u0ba4\u0bae\u0bbf\u0bb4\u0bb0\u0bcd \u0b95\u0bb2\u0bc8\u0b95\u0bb3\u0bcd (Art Heritage of Tamils),<em> Zurich, International Institute of Tamil\u00a0 Arts, Zurich,<\/em> pp.158-177.<\/li><li style=\"font-weight: 400;\">Sanathanan,T., 1997, \u2018&#8217;\u0b95\u0bb1\u0bc1\u0baa\u0bcd\u0baa\u0bc1 \u0bb5\u0bc6\u0bb3\u0bcd\u0bb3\u0bc8\u0baf\u0bbf\u0ba9\u0bbf\u0b9f\u0bc8\u0baf\u0bc7&#8217;: \u0b95\u0bc7. \u0b8e\u0bae\u0bcd. \u0b86\u0ba4\u0bbf\u0bae\u0bc1\u0bb2\u0ba4\u0bcd\u0ba4\u0bbf\u0ba9\u0bcd \u0b95\u0bcb\u0b9f\u0bcd\u0b9f\u0bc1\u0baa\u0bcd\u0baa\u0b9f\u0b99\u0bcd\u0b95\u0bb3\u0bcd\u2019&#8217; (Between Black and White; K.M . Adimoolams Drawings)\u2019, in <em>Between the lines,<\/em> Values Art Foundation, Chennai.<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"6\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2606\" aria-expanded=\"false\">Author \/ Editor of Books <\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2606\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"6\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2606\" tabindex=\"0\" hidden=\"hidden\"><h5><strong><span style=\"color: #000080;\">Books\u00a0\u00a0<\/span> <\/strong><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0<\/h5><ul><li style=\"font-weight: 400;\"><p>Sanathanan, T, 2025, <em>Migrated Styles\/ Connected Histories<\/em>: <em>Murals in Jaffna<\/em>, Jaffna.<\/p><\/li><li style=\"font-weight: 400;\">Sanathanan, T, 2021, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5329\/2\/\u0ba4\u0bbe\u0b95\u0bc2\u0bb0\u0bbf\u0ba9\u0bcd%20\u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3%20\u0bb5\u0bb0\u0bc1\u0b95\u0bc8%20\u0b95\u0bb2\u0bc8%2c%20\u0b85\u0b9f\u0bc8\u0baf\u0bbe\u0bb3\u0bae\u0bcd%2c%20\u0b95\u0bb0\u0bc1\u0ba4\u0bcd\u0ba4\u0bbe\u0b9f\u0bb2\u0bcd.pdf\">\u0ba4\u0bbe\u0b95\u0bc2\u0bb0\u0bbf\u0ba9\u0bcd \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3 \u0bb5\u0bb0\u0bc1\u0b95\u0bc8: \u0b95\u0bb2\u0bc8, \u0b85\u0b9f\u0bc8\u0baf\u0bbe\u0bb3\u0bae\u0bcd, \u0b95\u0bb0\u0bc1\u0ba4\u0bcd\u0ba4\u0bbe\u0b9f\u0bb2\u0bcd\u00a0(Tagore \u2019s Jaffna Visit: Art, Identity and Discourse)\u00a0<\/a>Kumaran Book House, Colombo. (ISBN 978-955-659-719-b).<\/li><li>Sanathanan, T 2018<em>, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5330\/2\/\u0ba8\u0bb5\u0bc0\u0ba9\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bc1\u0bae\u0bcd%20\u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd%20\u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0baf\u0baa\u0bcd%20\u0baa\u0baf\u0bbf\u0bb2\u0bcd\u0bb5\u0bc1\u0bae\u0bcd.pdf\">\u0ba8\u0bb5\u0bc0\u0ba9\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bc1\u0bae\u0bcd \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b95\u0bbe\u0ba3\u0bcd\u0baa\u0bbf\u0baf\u0b95\u0bcd\u0b95\u0bb2\u0bc8\u0b95\u0bb3\u0bc1\u0bae\u0bcd, 1920-1990\u00a0<\/a><\/em>(Modernity and Visual Arts in Jaffna, 1920-1990), Kumaran Book House, Colombo. (ISBN 978-955-651-619-7).<\/li><li>\u00a0<\/li><\/ul><h5><strong><span style=\"color: #000080;\">Text Books\u00a0<\/span><\/strong><\/h5><ul><li>Sanathanan, T 2020, <a href=\"http:\/\/repo.lib.jfn.ac.lk\/ujrr\/bitstream\/123456789\/5333\/2\/\u0bae\u0bc7\u0bb1\u0bcd\u0b95\u0ba4\u0bcd\u0ba4\u0bbf\u0baf%20\u0ba8\u0bb5\u0bc0\u0ba9\u0bb5\u0bbe\u0ba4\u0bae\u0bcd%20\u0b93\u0bb0\u0bcd%20\u0b85\u0bb1\u0bbf\u0bae\u0bc1\u0b95\u0bae\u0bcd%20\u0b93\u0bb5\u0bbf\u0baf\u0bae\u0bcd%2c%20\u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0bae\u0bcd%2c%20\u0b95\u0b9f\u0bcd\u0b9f\u0b9f\u0bae\u0bcd.pdf\">\u0bae\u0bc7\u0bb1\u0bcd\u0b95\u0ba4\u0bcd\u0ba4\u0bc7\u0baf \u0ba8\u0bb5\u0bc0\u0ba9\u0bb5\u0bbe\u0ba4\u0bae\u0bcd: \u0b93\u0bb0\u0bcd \u0b85\u0bb1\u0bbf\u0bae\u0bc1\u0b95\u0bae\u0bcd-\u0b93\u0bb5\u0bbf\u0baf\u0bae\u0bcd, \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0bae\u0bcd, \u0b95\u0b9f\u0bcd\u0b9f\u0b9f\u0bae\u0bcd (Western Modernism: An Introduction, Painting, Sculpture, Architecture)<\/a>, Kumaran Book House: Colombo. (ISBN 978-955-659-705-9).<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Artist Books<\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\">Shanaathanan, T, Azeez, A, H, Cader,\u00a0M, Gunarathne, A, Mangalanayagam N, Nilanthan, Rajakaruna, A, Sidaralingam, A, Thenuwara C &amp; Vasuki K 2019, <em>A to z of conflict<\/em><strong>,\u00a0<\/strong>Raking Leaves Publication, London (ISBN 978-095-566-747-3)<\/li><li style=\"font-weight: 400;\">Shanaathanan, T 2011, <em>The incomplete thompu<\/em>, Raking Leaves, London. (ISBN 978-0-9556674-5-9).<\/li><li style=\"font-weight: 400;\">Shanaathanan,T, Carder,M, Thenuwara,C, Weerasinghe, J 2008,\u00a0<em>The one year drawing project: May 2005-October 2007<\/em>, Raking Leaves. London &amp; Colombo. (ISBN 978-955-659-705-9)<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Edited Books<\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\">Sanathanan,\u00a0 T (ed.) Ahilan, P (co-ed.) 2007, \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0b9a\u0bcd \u0b9a\u0bae\u0bc2\u0b95\u0ba4\u0bcd\u0ba4\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0bb5\u0bbe\u0b9a\u0bbf\u0ba4\u0bcd\u0ba4\u0bb2\u0bcd: \u0ba4\u0bc6\u0bb0\u0bbf\u0bb5\u0bc1\u0b9a\u0bc6\u0baf\u0bcd\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0b95\u0b9f\u0bcd\u0b9f\u0bc1\u0bb0\u0bc8\u0b95\u0bb3\u0bcd, \u0bae\u0bc2\u0ba9\u0bcd\u0bb1\u0bbe\u0bb5\u0ba4\u0bc1 \u0ba4\u0bca\u0b95\u0bc1\u0ba4\u0bbf: 2000-2005. (<em>Reading Sri Lankan Culture and Society: Selected Articles. Second Volume:2000-2005<\/em>) Colombo Institute, Colombo. (ISBN 955-3493-09-5).<\/li><li>Sanathanan,\u00a0 T., Ahilan, P (eds.), 2007, \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0b9a\u0bcd \u0b9a\u0bae\u0bc2\u0b95\u0ba4\u0bcd\u0ba4\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc8\u0baf\u0bc1\u0bae\u0bcd \u0bb5\u0bbe\u0b9a\u0bbf\u0ba4\u0bcd\u0ba4\u0bb2\u0bcd: \u0ba4\u0bc6\u0bb0\u0bbf\u0bb5\u0bc1\u0b9a\u0bc6\u0baf\u0bcd\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0b95\u0b9f\u0bcd\u0b9f\u0bc1\u0bb0\u0bc8\u0b95\u0bb3\u0bcd, \u0b87\u0bb0\u0ba3\u0bcd\u0b9f\u0bbe\u0bb5\u0ba4\u0bc1 \u0ba4\u0bca\u0b95\u0bc1\u0ba4\u0bbf: 1980-1999. (<em>Reading Sri Lankan Culture and Society: Selected Articles. Second Volume: 1980-1999<\/em>) Colombo Institute, Colombo. (ISBN 955-3493-10-9).<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Edited Conference Proceedings<\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\">Sanathanan, T., Abdur- Rahman, Ayesha (eds.) 2018, <em>Tradition or trans\/formation: craft, practice and discourse<\/em>, Conference Proceeding, Department of Fine Arts, University of Jaffna, Jaffna (ISBN 978-955-0585-42-7).<\/li><li>Sanathanan, T (ed.) 2016, <em>Towards a greener future: university of Jaffna international research conference<\/em>; Conference Proceeding, University of Jaffna, Jaffna (ISBN 955058511-5).<\/li><li>\u00a0<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"7\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2607\" aria-expanded=\"false\">Contributions to University<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2607\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"7\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2607\" tabindex=\"0\" hidden=\"hidden\"><h5><span style=\"color: #000080;\"><strong>Member of University\/ Faculty Committee<\/strong><\/span><\/h5><ul><li><ul><li>\u00a0<\/li><li>Member -University Curriculum and Evaluation Committee (18\/ 09\/2021-17\/09\/2023)<\/li><\/ul><\/li><li>Coordinator-Arts Faculty Forum (Three years from 29\/10\/2020)<\/li><li>Co- Chair- Curriculum Development, Revision and Monitoring Committee, Faculty of Arts( Appointed on 31\/08\/2020)<\/li><li>Member -Quality Assurance Committee- Faculty of Graduate Studies (16\/05\/2017-15\/06\/2020)<\/li><li>Member- Board of Study in Languages and Cultural Studies, Faculty of Graduate Studies (from 01\/04\/2014 to 31.03.2017 and from 01\/04\/2017 to 31\/03\/2020).<\/li><li>Member &#8211; University Research Committee (28\/03\/2017 to 27\/ 03\/2020).<\/li><li>Member &#8211; Curriculum development, revision and monitoring committee, Faculty of Arts (09\/12\/2019)<\/li><li>Member- Committee on proposal writing for bifurcation of Faculty of Arts and Faculty of Social Sciences (Appointment dated 04\/12\/2019)<\/li><li>Member- Committee on curriculum development for MA in Cultural Studies (Appointment dated 31\/07\/2019)<\/li><li>Member -University Business Linkage Cell (UBL Cell) of Faculty of Graduate Studies (from 08\/03\/2019)<\/li><li>Member- Internal Quality Assurance Cell- Faculty of Arts 19\/02\/2015-19\/02\/2017) ( 20\/07\/17-22\/11\/2018)<\/li><li>Member- Interim Committee of the Gender Cell, University of Jaffna (2017-2018)<\/li><li>Member &#8211; Pioneer Committee of the Gender Equity and Equality Cell of University of Jaffna (01\/10\/2017- 2018)<\/li><li>Member-Committee on proposal writing for the creation ofMedia Studies Department (Appointment dated 11\/12\/2015)<\/li><li>Member &#8211; Programme Committee of Staff Training (PCST) Staff Development Centre (2012-2013).<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"8\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2608\" aria-expanded=\"false\">National Services<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2608\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"8\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2608\" tabindex=\"0\" hidden=\"hidden\"><h5>\u00a0<\/h5><h5><span style=\"color: #000080;\"><strong>Member of National \/ International Committees<\/strong><\/span><\/h5><ul><li><p>Member of Tamil Studies Global Academic Advisory Board, University of Toronto, Canada (2025-current)<\/p><\/li><li><p>Member of the Council of Regents of the National Center for Advanced Studies in Humanities and Social Sciences (NCAS) (21 July 2023-1 June 2026)<\/p><\/li><li><p>Member of Expert Committee on Establishing the Reconciliation Memorial, Government of Sri Lanka (2023)<\/p><\/li><li>Member-Standing Committee on Gender Equity and Equality in Higher Education, UGC (September 2015 &#8211; September 2018)<\/li><li>Member- National Arts Council of Sri Lanka (From 01.01.2016 to 31.12.2018)<\/li><li>Member- International Advisory Board of Tamil Scholars for Tamil Archive and Library Collection, Toronto University, Scarborough.<\/li><li>Member- Board of Management of Northern Provincial Tourism Bureau, (From 05.02.2020 to 31.05.2021)<\/li><li>Member, Committee to Evaluate Murals for Exhibition Gallery of National Archive. Department of Archives, Ministry of Buddhasasana, Religious and Cultural Affairs (2021)<\/li><li>Member- Committee on Deciding the Methodology for Identification of National Heritage of Sri Lanka. Ministry of National Heritage, Performing Art and Rural Art Promotion, Government of Sri Lanka (2020-21)<\/li><li>Member-Three-member Committee to assist in the translation of curricula materials in general education, National Institute of Education, Maharagama (08.07.2019)<\/li><li>\u00a0<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"9\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2609\" aria-expanded=\"false\">Supervision and Evaluation \u2013 Post Graduate Degree and Research<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2609\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"9\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2609\" tabindex=\"0\" hidden=\"hidden\"><h4 style=\"font-weight: 400;\"><span style=\"color: #000080;\"><strong>Post graduate supervision<\/strong><\/span><\/h4><h6>\u00a0<\/h6><h6>\u00a0<\/h6><h6 style=\"font-weight: 400;\"><span style=\"color: #000080;\"><strong>M.A in Cultural Studies (Batch III, 2019-2020)<\/strong><\/span><\/h6><ul><li>\u00a0<\/li><li style=\"font-weight: 400;\">1. Mr.A. Bastian: (MACS 105)\u00a0&#8216;\u0b88\u0bb4\u0b95\u0bc7\u0b9a\u0bb0\u0bbf \u0baa\u0ba4\u0bcd\u0ba4\u0bbf\u0bb0\u0bbf\u0b95\u0bc8 \u0bb5\u0bbf\u0bb3\u0bae\u0bcd\u0baa\u0bb0\u0b99\u0bcd\u0b95\u0bb3\u0bcd: \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0ba8\u0bb5\u0bc0\u0ba9\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bc1\u0bae\u0bcd \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1 \u0bae\u0bbe\u0bb1\u0bcd\u0bb1\u0bae\u0bc1\u0bae\u0bcd&#8217;<\/li><li>2. Miss. A. Briyanthy (MACS 106): &#8216;\u0baa\u0bcb\u0bb0\u0bcd \u0ba8\u0bbf\u0ba9\u0bc8\u0bb5\u0bc1\u0b9a\u0bcd\u0b9a\u0bbf\u0ba9\u0bcd\u0ba9\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b8e\u0ba4\u0bbf\u0bb0\u0bcd\u0baa\u0bcd\u0baa\u0bc1 \u0b85\u0bb0\u0b9a\u0bbf\u0baf\u0bb2\u0bc1\u0bae\u0bcd, \u0ba4\u0bc6\u0bb0\u0bbf\u0bb5\u0bc1 \u0b9a\u0bc6\u0baf\u0bcd\u0baf\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f \u0ba8\u0bbf\u0ba9\u0bc8\u0bb5\u0bc1\u0b9a\u0bcd\u0b9a\u0bbf\u0ba9\u0bcd\u0ba9\u0b99\u0bcd\u0b95\u0bb3\u0bc8 \u0b85\u0b9f\u0bbf\u0baa\u0bcd\u0baa\u0b9f\u0bc8\u0baf\u0bbe\u0b95\u0b95\u0bcd\u0b95\u0bca\u0ba3\u0bcd\u0b9f \u0b92\u0bb0\u0bc1 \u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bbf\u0baf\u0bb2\u0bcd \u0b86\u0baf\u0bcd\u0bb5\u0bc1&#8217;<\/li><li>3. Mrs.R. Reka (MACS 119):\u00a0&#8216;\u0ba4\u0bc6\u0ba9\u0bcd\u0bae\u0bb0\u0bbe\u0b9f\u0bcd\u0b9a\u0bbf\u0baa\u0bcd\u0baa\u0bbf\u0bb0\u0ba4\u0bc7\u0b95\u0ba4\u0bcd\u0ba4\u0bc8 \u0b85\u0b9f\u0bbf\u0baa\u0bcd\u0baa\u0b9f\u0bc8\u0baf\u0bbe\u0b95\u0b95\u0bcd\u0b95\u0bca\u0ba3\u0bcd\u0b9f\u0bc1 \u0b95\u0bbe\u0bb2\u0ba9\u0bbf\u0baf\u0bae\u0bc1\u0bae\u0bcd \u0b89\u0bb3\u0bcd\u0bb3\u0bc1\u0bb0\u0bcd\u0b95\u0bcd\u0b95\u0b9f\u0bcd\u0b9f\u0b9f\u0b95\u0bcd\u0b95\u0bb2\u0bc8 \u0bae\u0bb0\u0baa\u0bc1\u0bae\u0bcd&#8217;<\/li><li>4. Mr.S. Sivakumar (MACS 124): &#8216;\u0b89\u0ba3\u0bb5\u0b95\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b89\u0ba3\u0bb5\u0bc1\u0baa\u0bcd\u0baa\u0ba3\u0bcd\u0baa\u0bbe\u0b9f\u0bc1\u0bae\u0bcd&#8217;<\/li><\/ul><h6>\u00a0<\/h6><h6 style=\"font-weight: 400;\"><span style=\"color: #000080;\"><strong>Mphil in Art History<\/strong><\/span><\/h6><p style=\"font-weight: 400;\">Sewwandika Fernando\u00a0 (awardered in 2022): &#8216;Representation of Male Body in Sri Lankan Art: An Analytical Study based on the Works by David Paynter&#8217;<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"10\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26010\" aria-expanded=\"false\">Services to other Universities<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-26010\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"10\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-26010\" tabindex=\"0\" hidden=\"hidden\"><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"11\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26011\" aria-expanded=\"false\">Inter-Department and Inter-Faculty Services<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-26011\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"11\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-26011\" tabindex=\"0\" hidden=\"hidden\"><h5 style=\"font-weight: 400;\"><span style=\"color: #000080;\"><strong>Interdepartmental and Inter faculty Services<\/strong>\u00a0<\/span><\/h5><p style=\"font-weight: 400;\">Home Economics( Interior Design 2004)<\/p><p style=\"font-weight: 400;\">Art and Design (Composition, 2013)<\/p><p style=\"font-weight: 400;\">Media Studies (Magazine Journalism, 2017)<\/p><p style=\"font-weight: 400;\">Media Studies (Magazine Journalism, 2018)<\/p><p style=\"font-weight: 400;\">Resource person for a lecture series on Seminar on Research Methodology, Faculty of Graduate Studies (05.08.2017-10.09,2017)<\/p><p style=\"font-weight: 400;\">Resource Person for workshop on Gender Equality &amp; Equity and SGVB, CGEE, 3<sup>rd<\/sup>\u00a0year Students of Faculty of Arts University of Jaffna (5<sup>th<\/sup>, 6<sup>th<\/sup>, 7<sup>th<\/sup>\u00a0and 8<sup>th<\/sup>\u00a0July 2018)<\/p><p style=\"font-weight: 400;\">Resource Person for awareness programme on Gender Equality &amp; Equity and SGVB, CGEE, University of Jaffna (28.04.2021)<\/p><h5>\u00a0<\/h5><h5><span style=\"color: #000080;\"><strong>I<\/strong>nter Faculty teaching<\/span><\/h5><p style=\"font-weight: 400;\">M.A Cultural Studies (Art and Culture, and Culture and information technology in 2003 (Batch I) and for the course units MCS 10102 (Introduction to Cultural Studies), MCS 10602 \u00a0(Research Methodology), MCS20203 (Art and Culture) \u00a0and MCS 20503 (Sri Lankan Expressive culture) for M.A Cultural Studies 2017\/2018 (Batch III)\u00a0)\u00a0<\/p><p style=\"font-weight: 400;\">Resource Person for workshop on Gender Equality &amp; Equity and SGVB for non-academic Staff and Student Councillors of Killinochchi Campus, Organized by CGEE, University of Jaffna (2008)<\/p><p style=\"font-weight: 400;\">Resource Person for workshop\u00a0\u00a0on Gender Equality &amp; Equity and SGVB, CGEE, 1<sup>st<\/sup>\u00a0year Students of Faculty of Allied Sciences, University of Jaffna( 0\/08\/2021)<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"12\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26012\" aria-expanded=\"false\">Public Dissemination<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-26012\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"12\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-26012\" tabindex=\"0\" hidden=\"hidden\"><ul><li>Contributor, 2006, Glossary of Technical Terms in Fine Arts, Music and Aesthetics, Department of Official Languages, Sri Lanka.<\/li><li>Co-founder: Sri Lankan Archive for Contemporary Art, Architecture and Design, Jaffna in 2013<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"13\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26013\" aria-expanded=\"false\">Resource Person \/ Mentor \/ Consultant<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-26013\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"13\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-26013\" tabindex=\"0\" hidden=\"hidden\"><h5><span style=\"color: #000080;\"><strong>Resource Person<\/strong><\/span><\/h5><ul><li>Resource person for awareness programme on Gender Equality &amp; Equity and SGVB, CGEE, University of Jaffna (28.04.2021).<\/li><li style=\"font-weight: 400;\">Resource person -NIE Curriculum development for the Subject \u2013Art (From 2014 to 2021).<\/li><li>Educator for Workshop with Art College Students in Chennai, Organized by Kochi Students Biennial, India, 2018.<\/li><li style=\"font-weight: 400;\">Resource person for a lecture series on Seminar on Research Methodology, Faculty of Graduate Studies (05.08.2017-10.09,2017).<\/li><li>Resource person for Journey towards Gender Equity\/ Equality-An Inter University Gender Festival- phase. Organized by University Grants Commission. 2 from 12-20 November 2017.<\/li><li>Resource person for producing Teaching aid Videos for school art teachers,\u00a0 National Institute of Education, 24.10.2014.<\/li><li>Resource person for Open Edit: Mobile Library Project Yangon -Myanmar, organized by Asian Art Archive, Hong Kong, 2014.<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"14\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-26014\" aria-expanded=\"false\">Innovation and Creation<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-26014\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"14\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-26014\" tabindex=\"0\" hidden=\"hidden\"><h5><span style=\"color: #000080;\"><strong>Solo Exhibitions of Painting<\/strong><\/span><\/h5><ul><li><em>Dis\/Placement<\/em>, Saskia Fernando Gallery, Colombo (2016)<\/li><li><em>Mismatches<\/em>, Saskia Fernando Gallery, Colombo (2011)<\/li><li><em>Locating the Self<\/em>. Paradise Road Galleries, Colombo (2006)<\/li><li>Paradise Road Galleries, Colombo, Sri Lanka (2001).<\/li><li>Heritage Art Gallery, Colombo, Sri Lanka (1998).<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Group exhibitions of Visual Art (selected)<\/strong><\/span><\/h5><ul><li><p><em>Total Landscaping (Rotation 2)<\/em>, Museum of Modern and Contemporary Art Sri Lanka, Colombo (15 December 2024- 2 March 2025).<\/p><p>Kala: A Platform for South Asian Art, Colombo (10-28 February 2025).<\/p><p><em>Luminous Reveries<\/em>, Gallery Dotwalk, New Delhi (31January -9 February 2024).<\/p><p><em>One Hundred Thousands Small Tales<\/em>, Museum of Modern and Contemporary Art Sri Lanka, Colombo (2020).<\/p><\/li><li><em>Leaving the Echo Chamber,<\/em> Sharjah Art Biennale, UAE (2019)<\/li><li><em>Days without a night<\/em>, Maxmullar Bhawan, New Delhi, India (4-16 December 2018)<\/li><li>,Dhaka Art Summit, Dhaka Bangladesh (2-10 Feb 2018).<\/li><li><em>Invitation to Action<\/em>, Lahore Art Biennale, Pakistan (2017)<\/li><li><em>Forming in the pupil of an eye<\/em><strong>, <\/strong>Kochi- Muziris Biennale, Kerala, India (2016)<\/li><li><em>Insecurities: Tracing Displacement and Shelter<\/em>, Museum of Modern Art, New York (2016)<\/li><li><em>15 Invitations<\/em>, Asian Art Archive, Hong Kong (2016)<\/li><li><em>Watch this Space: Framing the Past, untying the future\u201d <\/em>Saskia Fernando Gallery, Colombo (2015)<\/li><li><em>Shadow Scene<\/em>, Colombo Scope, An interdisciplinary Arts Festival (2015).<\/li><li><em>War and Peace<\/em>; Visual Narratives from Contemporary Sri Lanka, Lionel Wendt &amp; Harold Pieris Galleries (2013)<\/li><li><em>Non- Aligned<\/em>, Barefoot Gallery, Colombo (2011)<\/li><li>Visual Responses During the War: Selected Works of Artists, Lionel Wendt Gallery and Harold Pieris Gallery<\/li><li><em>Border Zones: New art across cultures.<\/em> Museum of Anthropology, Vancouver, Canada (2010).<\/li><li><em>One Year Drawing Project Exhibition<\/em>. SAVAC. Toronto. Canada (2009).<\/li><li><em>One Year Drawing Project Exhibition<\/em>. Davi Art Foundation (2009).<\/li><li><em>Artful Resistance: Crisis and Creativity in Sri Lanka<\/em>. Museum of Ethnology, Vienna (2008-9)<\/li><li><em>An Exhibition of Painting by 13 Artists from Jaffna<\/em>. Alliance Francaise Jaffna (2004)<\/li><li><em>Agam \u2013 Puram<\/em>, An Exhibition of Visual Art, Public Library. Jaffna (2004).<\/li><li><em>New Sri Lankan Art<\/em>, Usher Gallery, U. K (2004).<\/li><li><em>New Sri Lankan Art<\/em>, October Gallery, U. K (2003)<\/li><li><em>Kannukkul Velli<\/em>, Tamil ini \u2013 2000, Madras, South India 2000. (2000)<\/li><li><em>Exposition 97 Exhibition of Paintings<\/em>, Rabindra Bawan, New Delhi, India (1997).<\/li><li><em>France \/ Sri Lanka Friendship Exhibition<\/em>, Embassy of Sri Lanka in France, Paris, France (1994).<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Exhibitions Curation<\/strong><\/span><\/h5><ul><li><p>Side by Side, Barefoot Gallery, Colombo (3-25 October 2025).<\/p><p><em>Home\/ Land<\/em>, University of Exeter, UK (March 2023) Art Gallery, University of Jaffna (20-30 March 2024).<\/p><p><em>Burden of Paradise, Art Gallery, University of Jaffna (2023).<\/em><\/p><\/li><li><em>Puni: Reed Mats by Sulaiman Archchi<\/em>, Art Gallery, Department of Fine Arts, University of Jaffna (9-18 May 2018)<\/li><li><em>Being and Becoming<\/em>, Saskia Fernando Gallery, Colombo ( 4-11 March 2018)<\/li><li><em>Self Portraits,<\/em> Saskia Fernando Gallery, Colombo (26 Jan-9Feb 2017)<\/li><li><em>Ramani: Exhibition of book jackets by Sivasubramaniyam<\/em>, Art gallery, Department of Fine Arts, University of Jaffna (Dec 2015).<\/li><li><em>Seven Conversations<\/em>, Saskia Fernando Gallery, Colombo (10-24 July 2015).<\/li><li><em>Anxieties: Paintings of Four Women Artists from Jaffna<\/em>, Theertha Red Dot Gallery, Colombo (2014)<\/li><li><em>Costume: Visual Art Exhibition of Pala Pothupitiya<\/em> ( Art gallery, Department of Fine Arts, University of Jaffna 2010)<\/li><li><em>Relocating Masculinities: An Exhibition of Photographs and Video Art<\/em>, School of Arts and Aesthetics. Jawaharlal Nehru University. New Delhi, 2007 (Joint Curation with Srinayani Reddy, Rahul Dave &amp; Sabih Ahmad).<\/li><li><em>Agam \u2013 Puram: An Exhibition of Visual Art<\/em>, Public Library. Jaffna, 2004 (Joint Curation with Jagath Weerasinghe).<\/li><li><em>An Exhibition of Painting by 13 Artists from Jaffna<\/em>, Alliance Francaise Jaffna (2004).<\/li><li><em>Portrait: An Exhibition of Early Studio Photographs of Jaffna<\/em>. University of Jaffna (2003).<\/li><li>\u2018<em>Ravivarma\u2019 An Exhibition of Oleograph Prints of Raja Ravivarma,<\/em> University of Jaffna (2003).<\/li><li>\u2018<em>Tanjavur\u2019, An Exhibition of Iconic Glass Painting from the Houses of Jaffna<\/em>. University of Jaffna (2001).<\/li><li>\u00a0<\/li><\/ul><h5><span style=\"color: #000080;\"><strong>Artist Camps and Workshops <\/strong><\/span><\/h5><ul><li style=\"font-weight: 400;\"><em>Flying Circus, <\/em>Project, Myanmar and Singapore (2013).<\/li><li style=\"font-weight: 400;\"><em>Imagining Peace<\/em><strong>, <\/strong>Kojh, New Delhi (2010).<\/li><li style=\"font-weight: 400;\"><em>Theertha International Artist work shop<\/em>, Lunuganga, Sri Lanka (2003).<\/li><\/ul><h5>\u00a0<\/h5><h5><span style=\"color: #000080;\"><strong>Artist Residency<\/strong><\/span><\/h5><ul><li>Asian Art Archive, Hong Kong (2018).<\/li><li style=\"font-weight: 400;\">\u00a0Museum of Anthropology, University of British Columbia, Vancouver (2009).<\/li><li>Usher Gallery, Lincoln, U. K ( 2004).<\/li><li style=\"font-weight: 400;\">\u00a0<\/li><\/ul><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Dr. T. Sanathanan Research Interest: Modern &amp; Contemporary Art of Sri Lanka, Modernism, Colonial Art, Craft practices, Art of Memory, Popular Visual Culture Email:&nbsp;tsanathanan@univ.jfn.ac.lk Academic profile Administrative positions Fellowships, Awards&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-477","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/comments?post=477"}],"version-history":[{"count":548,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages\/477\/revisions"}],"predecessor-version":[{"id":9743,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages\/477\/revisions\/9743"}],"wp:attachment":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/media?parent=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}