{"id":1915,"date":"2022-08-21T17:16:47","date_gmt":"2022-08-21T17:16:47","guid":{"rendered":"https:\/\/www.far.jfn.ac.lk\/?page_id=1915"},"modified":"2025-12-11T09:25:46","modified_gmt":"2025-12-11T09:25:46","slug":"study-tour-field-visit","status":"publish","type":"page","link":"https:\/\/www.far.jfn.ac.lk\/index.php\/study-tour-field-visit\/","title":{"rendered":"Public talk\/ Lectures"},"content":{"rendered":"\t\t
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Public Talk\/ Lectures<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Public Participation – always an Illusion?<\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Nadarajah Sriskandarajah<\/strong><\/p>

Professor Emeritus in Environmental Communication, Swedish University of Agricultural Science, Uppala<\/span><\/p>

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In his talk \u201cPublic Participation \u2013 Always an Illusion?\u201d, the speaker examined the reality of public participation in heritage protection, planning, and development. He discussed why community involvement is essential for sustainable heritage practices and reflected on the current challenges and situation in Jaffna, highlighting gaps between policy ideals and practical implementation.<\/p>

17 September 2025\u00a0<\/strong><\/p>

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Community \u2013 centred Heritage Conservation, Engaging, local stakeholders in protecting Jaffna\u2019s cultural identity <\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Nilan Cooray<\/strong><\/p>

Director General, Central Cultural Fund, Sri Lanka.<\/span><\/p>

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In his talk, Dr. Nilan Cooray emphasized the importance of community participation in heritage conservation and promotion, highlighting the effectiveness of bottom-up approaches in preserving cultural identity. He shared examples of community-based projects, discussing their challenges, expectations, and outcomes. The session concluded with an engaging discussion, where participants raised questions about the struggles faced by minority communities and the complexities of inclusive heritage practices.<\/p>

29 August 2025\u00a0<\/strong><\/p>

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Tree Tales and Terrestrial Sites\u00a0 <\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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R.S.Shan Sunder<\/strong><\/p>

RTD Professor, Dept. Visual Arts, Hyderabad Central University, India<\/span><\/p>

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In his talk Tree Tales and Terrestrial Sites<\/em>, R.S. Shan Sunder reflected on his own artistic practice, exploring how material process and conceptual thought converge in his etchings and woodcuts. Through a self-narrative approach, he discussed the intertwined layers of the ecological, architectural, psychological, political, and spiritual that shape his works. Sunder described how memory, desire, and imagination filter the world he observes, transforming ordinary forms into poetic \u201cshadows\u201d of their surroundings. The talk offered an intimate insight into his artistic process\u2014where technique becomes both an aesthetic and philosophical inquiry.<\/p>

20 June 2025\u00a0<\/strong><\/p>

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The Lotus and the Rose: Tracing the Female Form in 18th to 20th century Buddhist Murals<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Hasini Haputhanthri \u00a0 \u00a0<\/strong><\/p>

Independent Researcher<\/p>

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Her talk traced how the female form evolved in temple art in the southern littoral of Sri Lanka. Her research covers murals from 16 temples, from Colombo to Mirissa, painted from 18th to 20th centuries. She shared images and emerging observations that reflect the social and political changes the island experienced. This research was part of a larger research project, Shared Sanctities, that explores confluence in religious art and architecture.<\/p>

06 June 2025\u00a0<\/strong><\/p>

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Post Colonial: Revisit<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr Mahendran Thiruvarangan<\/strong><\/p>

Senior Lecturer, Department of Linguistics and English, University of Jaffna.<\/p>

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His talk introduced key postcolonial theories and their central ideas, followed by a discussion on concepts related to postcolonialism and decolonization.<\/p>

2 April 2025<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Problem in conceptualising “the history of Sri Lanka”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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John Rogers<\/p>

United States Director, American Institute for Sri Lankan Studies.<\/p>

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“Jaffna Town in Dutch Maps”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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R. Mayooranathan<\/strong><\/p>

Architect & Board member of Noolaham Foundation, Jaffna.<\/p>

Using the field of cartography, architect R. Mayooranathan discussed the Dutch maps and how they depicted Jaffna town. It provided a fresh perspective on Jaffna urban layout, including changes and the colonizers’ ideological currents and visualization methods.<\/p>

09 October 2024<\/strong><\/p>

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“A Comparison between Indian and Chinese Buddhist Iconography: Gender Transformation of Avalokitesvara”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Huang Lele<\/p>

Research Centre for Buddhist Texts and Arts, School of Foreign Languages, Perking University.<\/p>

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“Studying Popular Culture: Tamil Dance in Sri Lanka”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Kristen Rudisill<\/p>

Professor (Department of Popular culture, Bowling Green State University)<\/p>

20 December 2023<\/p>

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“Crossing the Ram Sethu: Historiography, Literature, and the Ramayana today”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Justin W. Henry<\/p>\n

Assistant Professor (Department of Religious studies, University of South Florida)<\/p>\n

08 December 2023<\/p>\n

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“Echo of Nothing”: a critique of the aesthetic of violence”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr. Deepak Prince<\/p>

Anthropologist & Assistant Professor (IIIT Delhi)<\/p>

26 June 2023<\/p>

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“Exploring Community and Identity: A Role for Archaeology”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dr Gill Juleff, University of Exeter, UK & Prof Ruth Young, University of Leicester, UK.<\/p>

13 December 2021<\/p>

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  • Short abstract:<\/strong> In this talk we will think about the ways in which archaeology is relevant to different communities, and how it can contribute to the development and expression of identities. We will be considering how archaeologies can contribute to understandings of human activities from the last 500 years, with a focus on the everyday lived experience.<\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    “Discussion”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Nadaraj (Artist) & Prema Revathy (Activist)<\/p>

    25 June 2019<\/p>

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    “Festival as Theatre: Interpreting Ritual Tradition of Tamil Society”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Dr. S. Karmegam<\/p>

    Assistant Professor [PG & Research Department of Folklore,St. Xavier\u2019s College (autonomous), Palayamkottai]

    27 May 2019<\/p>

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    “Artist as Fieldworker”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Associate Professor Sonal Khullar (University of Washington)<\/p>

    15 August 2018<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “My Novel, My Story”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Senthuran Varatharajah<\/p>

    27 February 2018<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    Artist Talk<\/strong><\/span><\/p>

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    Syd Burce Short Joe (Australian Indigenous Artist)<\/p>

    25 May 2017<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    Artist Talk<\/strong><\/span><\/p>

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    Associate Professor Ifthikhar Dadi (Cornell University of New York)<\/p>

    06 December 2016<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Water Gardens of Sri Lanka”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Dr. Shanthi Jeyawardena<\/p>

    11 November 2016<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Trends in Art historiography of Contemporary Sri Lanka”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Dr. Shanthi Jeyawardena<\/p>

    11 December 2016<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Reflection on a Diary: The Art of Method”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Professor Kamala Visveswaran (University Texas, Austin)<\/p>

    11 June 2014<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Art as Resistance”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Prof. Chandra Gupta Thenuwara<\/p>

    28 August 2013<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    “Visual art in Jaffna in 1980\u2019s & 1990\u2019s”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Kamala Vasuki & Arunthathy Ratnaraj<\/p>

    15 August 2013<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    “War & film”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Prof. Nalin Jeyasena(Miami university)<\/p>

    26 July 2013<\/p>

    \u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Making homes & engagements in art practice in Tamil Diaspora”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Prof Anna Laine(University of Stockholm, Sweden)<\/p>

    24 July 2013<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “29 Days in Jaffna”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Muhanad Cadar<\/p>

    02 June 2013<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Occupying the space in between”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Ms. Nina Mangalanayagam<\/p>

    25 April 2012<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Modernity in Tamil and Little magazine movement”<\/strong><\/span><\/p>

    “Ananda Coomarasamy: Life and concepts”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    22, 23 October 2011<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Troskyism and Aesthetics”<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Banini Vijaya Sriwardena<\/p>

    28 September 2011<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Documentary films: A short introduction to ‘Patricia Aufderheide.”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Aaron Burton<\/p>

    21 September 2011<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    “My photographs”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Menika van der Poorten<\/p>

    20 April 2011<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Layers of Anxiety”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Prof. Jegath Weerasinghe<\/p>

    27 April 2010<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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    “On curation”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Ms. Sharmini Pereira<\/p>

    2010<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Early soap operas in Rupavahini”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Mr. Parakrama Niriella<\/p>

    2009<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “An outline of contemporary architecture in Sri Lanka and its inspiration on my works”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Arch. T. Anjalendran<\/p>

    16. July 2004<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    “Art of 90’s in Sri Lanka”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Prof. Jegath Weerasinghe<\/p>

    2003<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    “Theatre: My experiences”<\/strong><\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/section>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    A.C.Tarcisius<\/p>

    2002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    “Still they come from Jaffna”<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    Ernest Thalayasingam MacIntyre<\/p>

    1997<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Public Talk\/ Lectures Public Participation – always an Illusion? Dr. Nadarajah Sriskandarajah Professor Emeritus in Environmental Communication, Swedish University of Agricultural Science, Uppala \u00a0 In his talk \u201cPublic Participation \u2013…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1915","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages\/1915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/comments?post=1915"}],"version-history":[{"count":465,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages\/1915\/revisions"}],"predecessor-version":[{"id":9474,"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/pages\/1915\/revisions\/9474"}],"wp:attachment":[{"href":"https:\/\/www.far.jfn.ac.lk\/index.php\/wp-json\/wp\/v2\/media?parent=1915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}